Atlas the Story of Pa Salt, the Final Book of The Seven Sisters Series: My Hopes and Expectations.

When The Missing Sister came out back in 2021, I initially thought this would be the last book in the series. Since each book focused on a sister and the seventh being based on the one that went missing, it would make sense. However, checking Goodreads, like I do, I found out that there will be an eighth book. From my understanding this was in the works prior to her passing and announced not long after The Missing Sister’s release.

According to an interview for The Missing Sister (https://lucindariley.co.uk/seven-sisters-series/the-story-of-the-missing-sister/q-and-a/), Lucinda Riley initially planned for this book to be seven books long. However, she didn’t feel like The Missing Sister could tie up all of the loose ends, feeling that she wouldn’t be able to do it justice. So she started on Atlas: The Story of Pa Salt to finish the series.

And while she did pass away a few months after the release of The Missing Sister, that doesn’t mean it will go unfinished. Since she already had passages and key notes on the story in the works, her eldest son Harry Whittaker, will continue, and finish, the story. According to Goodreads, the book has an expected release of January 2023, however, her website states that it has an expected release in Spring of 2023 (https://lucindariley.co.uk/seven-sisters-series/atlas-the-story-of-pa-salt/).

With that said, I thought I would take a moment to discuss some hopes I have for this book. As well as some things I am expecting. I suppose both are interchangeable, but I do feel some topics might fit more as expectations while others fit more so as thing I hope they include.

Honoring Lucinda Riley’s Memory

With this being not only the last book in the series, but the last book by Lucinda Riley, I feel like this book could be a ceremonial way to say farewell to the author. Whether that be in the form of an “in memory of” section” or some form of tribute to the author in the acknowledgements or notes at the end, I think there should be some form of way that the author is remembered. I’m sure there will be, and that’s not to say that Harry Whittaker shouldn’t get credit for his part, just that this book could be a way to honor Lucinda Riley’s memory.

Exploring Pa Salt’s Character

This is titles Atlas: The Story of Pa Salt, so it’s pretty much a given that it will be about Pa Salt. He had a presence throughout the series, but readers never really got to know the character on a personal level. Only how each sister remembers him.

My hope is that this book will give some closure with Pa Salt as a character. Since his character has been dead since the very beginning, I would hope that this goes over who he was as a person, exploring why he adopted each sister, and the lead up to his passing. Let his story be told in a way that works with the story and wraps it up with the sisters learning more about their father.

The Past and Present Storytelling

This might sound odd, but I would hope that it keeps up the tradition of it being told in the present as well as the past. Not only because the series is known for it, but because I feel that it has to. Again, with Pa Salt being deceased, readers won’t exactly be able to get a first hand account of the character. Rather, the sisters learning more about the man who brought them all together. That would be the present bit.

As for the past portion, it would focus on Pa Salt’s life. Here, readers would get to learn about who he was as a person, where he came from, how he became the man he was, and how he found each sister. And much like the other stories, it should go through a big part of his life. It can start with him as a child or young adult (preferably the latter) and go all the way up to his death.

As far as perspective, I could see this taking a slightly different approach. Normally, each book would be told in the first person for each sister and third for the person from the past. I believe The Missing Sister was the only book that told it from the third person perspective for both. Here, I can see it using solely the third person for both perspectives since it would be his story and D’Aplièse getting answers and learning more about Pa Salt. Alternatively, it could be written from third person for the present part and the first person for Pa Salt’s. That would be a nice change of pace while also utilizing something that the series was known for. There is also the chance that the present could shift a first person perspective for each sister, but I feel like that would be unnecessary and could get confusing.

Ending the Series on a High Note

Since this will be the conclusion to the series, I feel like it should end on something of a high note. That would include wrapping up the loose ends it didn’t get to in The Missing Sister, ending with each sister having learned something, show where each sister ends up, and ending the series on a good conclusive note. While I’m not expecting perfection, I do think that it should resolve what it needs to and feels gratifying. Not rushed. Nor do I think it should end on a happily ever after. It would be nice to see it ending on a happier note, but I’m not looking for a happily ever after necessarily. If one or more of the sisters feel like they have to reevaluate their life or how they viewed Pa Salt, that’s okay. But at the same time, they did get a sort of happily ever after at the end of each of their story, and I don’t think that has to be tossed.

Conclusion

These are just a few things I hope for when Atlas: The Story of Pa Salt is released. If you’ve read the series, what are your expectations for it? Is there anything you hope gets addressed? Are you excited for it?

The Missing Sister: A Review

This is the most recent book in the series as of this review. The seventh book of the Seven Sisters series answers the overarching question that has remained unanswered since the beginning: Who was the seventh sister that Pa Salt never found?

This book answers that question all the while reuniting the six sisters from the previous book. Also know: Minor Spoilers Ahead.

General Disclaimer

My general disclaimer for this book, and the last time you’ll probably see it since I don’t think Atlas, the eighth and final book, will address Pa Salt’s heritage so much as why Pa Salt adopted all of the sisters and his found family through them.

While this series does involve each character finding their birth family, I do not believe that it was the author’s intent to diminish adopted families. Having read the series, I interpreted it as each daughter being given the choice to find their birth families if they so choose. With each daughter choosing to investigate their history.

Synopsis

When Maia, Ally, Star, CeCe, Tiggy, and Electra receive news about the seventh sister that Pa Salt never found, they decide to look into it. They hope to spark a connection, find out what happened, and why this seventh sister wasn’t found. Their investigation brings them to New Zealand, Canada, England, France and Ireland. Along they way they meet Merry and her daughter Mary-Kate, who may hold the secret to the missing sister.

Jumping back into the 1920’s we get to hear the story of Nuala. Nuala is an Irish woman living through Ireland’s war for independence. Her journey details with where she and her family stand, what actions she takes, and what it was like during this turbulent time.

Positives

I’m a sap for Ireland centered stories, being of Irish decent myself and having a curiosity to learn more about Irish history. So one thing I enjoyed was how this book explored Ireland and it’s history. And with this taking place during a time of conflict, getting a sort of look into it from one perspective was neat.

I also liked how we finally got the sisters all back together for this. With this “missing sister” being something that was referenced multiple times throughout the series, it was nice to see that they didn’t leave this plot point on the cutting room floor.

Another thing I thought was a neat reflection of the story was with Merry and her daughter Mary-Kate. Mary Kate finds herself learning more about herself and her family and finds out the truth about her relationship with Merry.

Critiques

The critiques I have are with Merry and how they approached the search for her. Merry was a character that I had mixed feeling on. On the one hand, I understand why she wouldn’t want to meet with the D’Aplièse sisters to a degree. However, her constantly running was something that I found a bit repetitive and annoying at times. Merry does eventually agree to meet up with them, and readers are able to get a conclusion, but O was a little tired of the constant “the D’Aplièse sisters get to the location Merry’s at, but oh no, she fleed the country” cycle.

On the other hand, I can also see how the approach could have been done better. Realistically, it would feel odd if a group of people kept following you wishing to met, even if it wasn’t just the D’Aplièse sisters Merry was trying to evade. So that part makes sense.

On the other, It felt like it just prolonged the inevitable. I’m not opposed to her trying to avoid the D’Aplièse, just that it shouldn’t have lasted as long as it did. I think it would have been nice or at the very least manageable, if after a while of avoiding them, it’s Mary-Kate who decides to act as a mediator and/or talks her mother into speaking to them much sooner. And from there, resolve any issues and explore Merry and Nuala’s stories. But, that’s just my thoughts on it.

Conclusion

I would give this book a seventy eight percent. This rating I believe will log it as my third favorite in the series. I found the premise of finding the “missing sister” to be a good one, and a great way to tie up that loss end. I also thought it was interesting as far as Nuala’s story taking place during Ireland’s war for independence. The only think I wish they had done better was how they approached the D’Aplièse sisters went looking for their missing sister and aspects of Merry’s story.

Sun Sister: A Review

The Sun Sister, released after I had finally caught up on the rest of the series. I was certainly curious to see what they would do with Electra’s character, as she was the one who seemed to have the least screen presence… or book appearances, when compared to the others. She does show up several times throughout the first five books, but it did feel like she was more so referred to than actually having scenes.

Unfortunately, this would be my least favorite in the series. Due to seeing and agreeing with some of the criticisms in reviews, I do feel like it could have been better. There were a lot of good concepts there, and I was all for them, but I did see how the execution seems rushed. It’s not terrible by any means, however, out of all seven books so far, one had to be the least enjoyed. And for me, it was this one.

Series Disclaimer

While this series does involve each character finding their birth family, I do not believe that it was the author’s intent to diminish adopted families. Having read the series, I interpreted it as each daughter being given the choice to find their birth families if they so choose. With each daughter choosing to investigate their history.

Book Specific Disclaimer

Know that Sun Sister does address drug addiction and recovery throughout Electra’s story. How well the story handles it will depend on the reader, but know that it is addressed.

Synopsis

Electra’s story is one of fame, struggles, and living in the moment. Electra, despite being the youngest sister, has had a rather successful career in modeling. However, her personal life is far from perfect. After putting off the information Pa Salt had left her in regards to her family tree, and getting help for her addiction, she decides to look into it. When she is given a letter from a woman claiming to be her grandmother, she finds herself meeting this woman and discovering her family history while coping and working on bettering herself.

Meanwhile, starting in 1939 Cecily Huntley-Morgan finds herself moving from New York to Kenya on a journey of rediscovery and recovery. With war and disaster on the horizon, she finds herself marrying a man named Bill Forsythe and joining him as he works alongside the Maasai Tribe, who he has close connections with. As loneliness starts to set in, Cecily finds a baby that had been abandoned and raises them as her own.

Positives

I will say that I did appreciate the story it was telling. For Electra’s story, I appreciate how she does get help for her struggles. What she was going through is relatable and worth discussing. I also thought Electra had some good, albeit not perfect, development.

I also thought it was neat how this story did decide to address some of the Civil Rights era. It was a step forward time period wise, where as most of the previous books past story segments took place between the late nineteenth and twentieth centuries. Because while it does start off in the late 1930’s, having a slightly more modern and notable time period was a nice change of pace.

Critiques

Unfortunately, the execution is where it feels lacking. It probably doesn’t help that I did read a few reviews before hand, something I typically try to refrain from unless I am that curious about if a book is worth reading. And while I wouldn’t say that checking out reviews, or getting a second opinion/feedback before going into a book is bad, it did give me something to think about.

Because, while I do think that there were good intentions behind the book, I also think that it wasn’t as well executed as it could have been. Which was something some reviews noted on more or less. So while I can credit it for trying, I can also critique it for it’s execution.

One critique that stuck out to me was how quick the story seemed to skim over Electra’s recovery. And I can kind of see why. It does address it and has some moments dedicated to it, but it does feel like it could have or should have gone more in depth with it. Of course, it goes without saying that I am not an expert when it comes to addiction recovery and how long it should take, despite what knowledge I do have on it. That said, I can see why it might have felt rushed and/or not as developed as it should have been.

Another complaint I’ve seen was with Electra herself. Mostly with characterization. I will admit, Electra was the one sister I was curious about, but also the one I wasn’t sure hot to feel about. I would definitely say the character is a bit rough around the edges and there were areas that might have needed some improvement. However, I don’t think I was as critical to Electra as some people might have been, though I do agree there could have been different ways to handle the character in some instances.

Conclusion

Overall, I would give this book a six out of ten. I do believe that there were areas that could have been improved upon with the character and how certain story elements could have been done differently. That said, I do kind of appreciate what the book was trying to do with it’s handling of Electra’s mental health and addiction, even if the execution wasn’t stellar.

Moon Sister: A Review

The fifth book in the series, The Moon Sister, is one of my favorites alongside Seven Sisters (the first book) and the reason I got into the series. I stumbled upon it while working on returns at the library. Someone had returned the large print copy of the item and the synopsis got me curious. However, when I found out it was book five, I did decide to read the other books first. Even though I didn’t have to since each book is acts as a standalone with very little to do with the previous books. At least until book seven, The Missing Sister, which has all of the six sisters meeting up to fins the “missing sister” that Pa Salt never found. Regardless, I read all the books prior so that I could get familiar with the story.

General Disclaimer

Routine disclaimer for the found family and how it meshes with adopted family concept.

While this series does involve each character finding their birth family, I do not believe that it was the author’s intent to diminish adopted families. Having read the series, I interpreted it as each daughter being given the choice to find their birth families if they so choose. With each daughter choosing to investigate their history.

Disclaimer: The Romani and a Terms Deemed Offensive to Them

I wanted to take a moment to discuss this a little bit. First of, I did like how it explored a Romani angle with Tiggy and her family was interesting, and based on a Q&A, https://lucindariley.co.uk/seven-sisters-series/the-moon-sister/q-a-the-moon-sister/ Lucinda Riley did have an interest in learning about the culture and beliefs.

That said, I feel like a certain topic should be addressed. Several times in the book and in the Q&A, she does use the word G*psy. For those of you who might not know, it is a term that is considered offensive to the Romani people. The average person might not know this, but it is something I have come to learn about over the years and have refrained from using out of respect.

Since I cannot confirm intent, I will give her the benefit of the doubt and say she wasn’t trying to be malicious. Ill informed, perhaps, but not malicious. And with her passing in June of 2021, there may be no way to get a concrete answer. As such, I do not wish to make an assumption on intent and knowledge about the term. I am not excusing any offensive terms being used, but I do know that it is possible that she could have been misinformed and not malicious. However, if it comes to light that she was being malicious with it (via rough drafts, journals, etc.) I would definitely reconsider my approach to this book and would not recommend it.

Synopsis

After Pa Salt’s passing, Taygete “Tiggy” D’Aplièse returns to her work on a wildlife preservation in Scotland. She does decide to investigate her family history and finds herself developing feelings for Charlie, the doctor that she has been staying with, despite knowing his relationship with his wife, soon to be ex-wife. When her health takes an unexpected turn, she finds herself needing medical treatment that brings her to Granada Spain, where her family had lived.

Meanwhile, in 1912, readers are introduced to Lucia Amaya Albaycin, a n up and coming flamingo dancer in Granada Spain. She is passionate about her skill and has the chance to expand it and travel. However, as war breaks out and her career growing, Lucia finds herself having to choose between her dancing, the man she loves, and her family.

Positives

This is one book where I enjoyed both the present and the past parts. Much like the previous two books, I found myself relating to areas of the story and characters, namely Tiggy, who is an animal lover, as am I. And while she was drawn to Scotland, I find myself drawn to learning more about Ireland. I also liked how she grew. Tiggy is also one of my favorite sisters, maybe even my favorite. I liked her kind hearted and calm nature.

As for Lucia’s portions, I did like the direction they went with it. While it did have elements that were similar with the previous past stories in pervious books, I liked to approach. I enjoyed how it had Lucia following her dreams and the slow burn that was to come. I didn’t want the character to fail, but it was interesting to see how her passion and her

The Grey Area

Though I am curious about the Romani people, I will admit my information about them and their culture is limited. So I cannot say how accurately they were portrayed, I do think Lucinda Riley did a good job in some areas. They weren’t shown to be malicious like some media may portray them, but people living their own lives and wanting to better themselves and their people. And again, while I know certain terms used for them are considered derogatory, I cannot confirm if Lucina Riley was being malicious when using it.

Critiques

One critique I did have was with the whole thing with Charlie’s ex-wife and the whole cheating concept to Tiggy and Charlie’s relationship. While Tiggy did try to suppress her feeling for Charlie given the circumstances, but it wasn’t quite executed the best.

I also don’t really care for Zad, Maia’s questionable ex, returning in this book. I don’t think he was really necessary to have in the story. FOr whatever reason, he pops up several times throughout the series trying to get with one of the D’Aplièse sisters. He was in a relationship with Maia, tried to get with Tiggy, and was with Electra for a brief time between the two.

Conclusion

I would rate this book an eight out of teen. Overall, I thought it was an enjoyable read. The story in Granada, Spain was nice and I did like aspects of Tiggy’s story as well. However, elements of Tiggy and Dr. Charlie’s relationship, Zed, and the use of a term deemed offensive to Romani people (malicious or not), do bring this story down.

My Hopes/Expectations For Netflix’s Sandman Adaptation

What if I told you I only recently got into Neil Gaiman’s Sandman series? Much like Watchmen, Sandman was a series I always know about, but never got into it when I was younger. It wasn’t until I finally started getting into graphic novels/comics and after I was given a recommendation that I checked out both. Watchmen has become one of my favorite comics and I am steadily making my way through Sandman (I’m currently two volumes in and own the first six with plans to get the entire series) and I am enjoying it.

With Netflix’s adaptation coming up fast, I thought I would take a moment to discuss a couple of hopes/expectations I have going into the series. Three to be exact. I plan to watch the series when it’s released, since I am interested in it and it’s one show I am excited to watch. Whether I watch a few episodes a day or binge the entire season in one, we’ll see.

Following the Comic as Closely as Possible, While Still Adding Its Own Flair

When it comes to adaptations, creative liberties are expected and usually fine. Sometimes things get cut or added for the sake of adaptation. And sometimes somethings are tweaked.

For example, Peter Jackson removing the scenes Tom Bombadil when making the Lord of the Rings trilogy. While a case could be made that he should have been left in the movie, since he was where the Hobbits got Bill the horse, I don’t think cutting Tom Bombadil was a bad call. Especially since he didn’t really return after his appearance in Fellowship of the Ring.

Back to Sandman, I do think it should follow along with the comic. Not to a tee perhaps, but still following along as close as possible. It would appear that the first season will follow the first two volumes (Preludes & Nocturnes and The Doll House) and is planned to be a faithful adaptation with a few tweaks (ex. the series taking place in 2021 as opposed to 1989 and Morpheus/Dream being imprisoned for 105 years as opposed to 75). And with Neil Gaiman having a hand in this series, I’m sure he will approve of the direction this series takes.

All and all, I am hopeful that this will be a pretty faithful adaptation with tweaks and creative liberties taken as needed.

Good Special Effects When Needed.

Special effects and CGI are things that can be either really good or really bad depending on the execution. For instance, The Mummy Returns is known for its dated CGI, specifically when it came to the Scorpion King, while Lord of the Rings, which used practical and special effects, would be considered a good use of special effects and CGI.

While I may not be trained in using CGI and the like, as a viewer, I do know how bad effects can ruin or diminish the quality of a property. Put it simply, I would hope for good special effects as well as it not being overly used. I know that the series would need special effects given the nature of the series, but that doesn’t mean it needs to rely too heavily on it. So long as it’s presentable and not too heavily relied on, I think that will be okay.

A Good Time Viewing

As odd as it might sound, so long as it’s a fun/enjoyable time. Granted, the series does tackle some grim/dark topics, but that doesn’t mean it can’t be enjoyed. So long as it is done well and in a way that can be enjoyed, that’s all I can ask for.

I know some of it’s topics won’t be for everyone, which is okay. I wouldn’t expect it to be. I would just hope it tackles everything in a good and tactful way.

And even if it is dark, I think that’s something that should be explored. Not every show will have themes and stories that are positive. That’s not to say that there shouldn’t be good or positive moments (I do feel like Death will have a few of these), just that it shouldn’t be afraid to tackle some of the darker themes and stories from the comics.

And even though I think this can, and likely will, take a darker tone thematically, that doesn’t mean it won’t have positive or good moments. Shows can mix positive and negative traits. Some shows just might lean on some more than others, with sprinkled in aspects of the other, while other shows balance the two. So long as it is well written, it can be enjoyable.

Conclusion

I know open the floor up to you. Are you excited for The Sandman? Are there any expectations you have for the show? Is there a character, or characters, you can’t wait to see brought to life? Are there any series you’d like to see get adaptation into a televised/animated series?

Sources

Reviews, Recommendations, and Discussions

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