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Cry Wolf: A Review

Since I’ve talked a few times now about Patricia Briggs’ Alpha and Omega series, and recently reviewed the prequel novella, it’s time for a review of the first book. Cry Wolf is the first book in the series, excluding the Alpha and Omega novella (which is considered a prequel) and the This is my favorite of the series and is the book I have read the most.

Disclaimer

While this story doesn’t go into graphic detail, it does touch on some sensitive subjects. Mainly referenced trauma and violence against Anne while she was in her previous pack.

Synopsis

The story picks up some time after the events of Alpha and Omega. Anne is the mate of Charles, the first and only born were wolf and son of the pack leader Bram, who is trying to get acclimated to the new pack. As she tries to adjust, she and Charles go to a funeral for a pack member, she meets Asil, a downdraught with a drinking habit. Due to Anne being a rare Omega, who’s role is to be a soothing presence in the pack, she .

Positives

I think this book set up the world pretty well. Since it does it’s own thing, away from the Mercy Thompson series, this is something it would have to do to keep it as it’s own separate thing. And I think it does it pretty well. It might feel a bit more contained since it does focus a lot on Anna, Charles, their pack, and the few people they do interact with, but I don’t think that’s a bad thing. I see this series as really focusing on building the relationship between Anna and Charles alongside their relationship with the pack and how they handle situations that they are needed for.

I also think it sets up a number of characters really well. The dynamic between Anna and Charles is a bit different when compared to Mercy and Adam. Which I think is kind of important since they are the couple readers are following in this series. Individually, Charles

I also think that how they set up why two werewolves cannot have kids and the dangers of trying. That might seem like something that feels a bit like a trope, but I don’t think it’s set up in a way that feels bad. Plus, it also helps further explain why Samuel, Charles’ (half) brother, thought having kids with Mercy, a Coyote shifter, would be potentially safer had they gotten together. Basically, it would be very high risk and the mother would die because of it. They mention this in Alpha and Omega, which devastates Anna, who had always wanted kids even prior to her changing. And again here when explaining how Charles’ mother, who Bran changed in order to save her life, had died giving birth to Charles. So it kind of explores why it’s avoided from two different perspectives.

Negatives

Having read this book as many times that I have, I won’t say it doesn’t have flaws. I’ve narrowed it down to common tropes, some of the characters, and how Asil seems to be the only one with first hand experience with Omegas.

While not always a bad thing, it does have some of the typical tropes you would expect from the genre. Like how urban fantasy a lot of times will focus on vampires, werewolves, witches, and fae. Or how Charles is essentially the enforcer for his father, who is the head, the North American werewolves, which would probably fall into a subcategory of supernatural enforcers. Though, typically, Charles is sent to check in on or handle other werewolf packs as needed as opposed to all of the supernatural creatures. The only time he does is if his father needs him to, but usually it’s to keep the werewolves in line.

I would say this may also hit the Chosen One trope but to a lesser degree. What I mean is that Anna could be considered a “chosen one” type character because she is an Omega, which in universe is a rarity. The only reason I think this is the least offensive of the tropes is because she isn’t made out to be someone that everybody wants because of it. Some members of the pack are interested, but once Charles officially steps up as her one and only, it gets dropped. Plus, the only reason Asil is interested is because his late wife was an Omega as well and Anna reminded him of her.

Now tropes aren’t necessarily bad. I just know that what tropes people are fine with and may find annoying may depend on the person. However, these tropes I don’t think were terrible to the point of being overbearing. Granted, I also don’t read a lot of Urban Fantasy either, so I haven’t really read enough to be that annoyed with it in this series. These are simply tropes that may be common in this genre and I know that can be something that might annoy people.

Going back to Asil for my next criticism, him being the only one with information on Omegas kind of feels odd. On the one hand, from a story perspective, I can get why. He’s a lot more closed off after the death of his wife and is at odds with Charles for a portion of the book. So Charles going to him to make some kind of amends and get help for how to approach Anna makes sense. However, I would like to think that there would have been a record or something about Omegas because he had first hand knowledge. That way, when he dies, there would be some way to access the knowledge he has, should Charles, Bran, or any other werewolf encounter one after he passes. That might not be necessary at this moment, but something I think would be a consideration.

There may be other flaws that I have that I’m not thinking about at the moment. However, these are two that I feel this book has.

Conclusion

I would probably give this book an eight and a half out of ten. Overall, I think this was a solid enough first book in the series. I feel it sets up the world and characters well enough. Though it does fall into some of the tropes Urban Fantasy is known for as well as how they handle Asil and his knowledge on Omegas to some degree. And while not all of the characters or parts of the story land, it’s still a nice little guilty pleasure read for me.

Transformers: Age of Extinction

It’s been a while since I did a review for the Michael Bay Transformers movies (a.k.a. the Bayformers movies). I meant to continue on with it, but other topics came to me a lot quicker and I ended up getting sidetracked. But I’m back now to continue on with the reviews. And with the release of Transformers: Rise of the Beasts coming out next year, now feels like a good time to pick these reviews back up.

With this being the fourth installment in the franchise, Transformers: Age of Extinction decided to try new things. New characters were introduced, both human and Cybertronian alike. the Dinobots make their debut. Human/Cybertronian conflicts are picked up and a way to introduce Galvatron was introduced.

This movie was played a lot on FX and it’s sister channels. So much so that I did get around to it thanks to FX, since Dark of the Moon was the last of these movies I watched in theaters and had no interest in doing so with the others.

The Review

I would say that this is a very middle of the road movie. There are things that I liked about it, and things that I didn’t. However, compared to say the first movie or Dark of the Moon, I wouldn’t say it was one that I really enjoyed.

Positive: The Designs

As always, the designs of the Cybertronians is something I enjoyed. Optimus and Bumblebee have stayed relatively the same. Optimus keeps his general look and color scheme with him looking more aged and/or worn at times, while Bumblebee keeps his iconic yellow with a bit more black.

I also liked some of the designs of some of the newer Cypertronians introduced. Mainly Crosshairs. Lockdown has a neat design too, as does Galvatron. Hound’s is pretty solid, and I am mixed about Drift’s. The faces may seem a bit uncanny or too humanoid, which I won’t deny. It does feel a little odd that the faces seem more human and less mechanical. That’s not to say that faces didn’t have aspects that would be considered slightly humanoid in previous movies, it’s just a lot more apparent here.

Either way, most of the designs are pretty solid. And when it comes to Crosshairs’ design, I think what I really liked about the design was how it had that trench coat look in the back. It might seem weird, but I liked how it didn’t seem as dense when he moved. It moved like it was a coat and not metal, if that makes sense. Kind of like it was like the mechanical/metallic version of a coat moving.

Negative: The Plot Feels Disjointed at Times

Is there a plot? Yes. Did each part of said plot seamlessly work into the next? No. While the overarching conflict might have been the hunt for the Autobots and using other Cybertroninas to create a market and the government being involved. That said, it feels like there are three different plot points that just don’t seem to blend into each other that well.

One is the Autobots and Cade Yeager’s group being pursued. Optimus doesn’t want to deal with the humans anymore after everything they put them through. He also wants to retaliate for what they did to Ratchet. And along the way, he find some faith in Cade and his family and wants to figure out what’s going on back on Cybertron.

The second plot point would be the Lockdown portion. Lockdown is hunting down Optimus because their creator is looking for him. This is kind of tied with the whole government perusing Optimus plot, where he’s working with Kelsey Grammer’s character, but for his own purpose. Not because he wants to help them.

Then there’s the whole Dinobot subplot. That one feels the most jarring to me. Because while the Dinobots are neat characters and seem like a cool addition, their introduction doesn’t feel at all natural. But I’ll get into that a bit more in a little.

And somewhere in there there’s Galvatron. Which is a neat addition and a neat way to bring back Megatron. Even if this is the second time he was revived (he was revived in Revenge of the Fallen, lived through Revenge of the Fallen dying in Dark of the Moon, and revived again here).

All of these plot points are fine on their own. However, to me, it doesn’t feel like they worked together as well as they could. It feels like there is a lot going on, but it might not always feel like it connects.

Positive: Introducing New Characters

Granted, some characters were better than others in this movie, but I do think that it was a good idea to start with a new batch of characters. Sam’s story was pretty much told. Though it would have been nice to know what happened to him between this movie and the last (there might be an explanation in a tie in comic or something, I just don’t recall if they addressed it in the movie).

And in terms of Cybertronians, I do think the additions for the most part are neat. Lockdown made for an interesting villain and I do feel like the Autobots introduced were neat in their own ways. Galatron felt like a cool additon and a change in how Megatron came back, which kind of lines up with how he came back as Galavtron in the cartoons and comics.

Negative: How the Dinobots Were Introduced

Now, I don’t think anyone would be opposed to the Dinobots appearing necessarily. Sure, they might be treated more like animals in the movie when compared to them being more of a different subsection of Cybertronians, however, the Dinobots are a neat addition. Especially since blend two pretty popular and iconic creatures: dinosaurs and robots.

What I think the issue is, is how they are introduced. As I mentioned previously, it does feel disjointed at times, and I think how the Dinobots were introduce is the biggest factor in that. They were alluded to at the beginning of the movie, but between that and when they were brought in, there was no mention of them.

Mixed: The Human Characters

One critique in terms of newly introduced characters would be with the human characters. They do tend to feel like the weakest link in these movies in my experience. Or at the very least that’s something people have the most criticisms with in terms of characters (not always, since Mudflap and Skids are an example of criticized Cybertronians, but it’s usually the human characters that people may draw the most criticisms from in terms of characters). Cade I feel like was a solid change in main human characters, a father and mechanic who wants to protect his family. I don’t think Kelsey Grammer and Stanley Tucci’s characters were too bad, maybe not as well utilized, but compared to some human characters, not the absolute worst in my opinion. The worst in this movie, at least for me was Tessa and Shane. I just didn’t really care for them. They did help at various points, but they weren’t all that interesting in my opinion and I think I was just kind of tired of the budding romance that these movies had.

Positive: Frank Welker as Galvatron

This might sound like an odd positive, but it was one that I appreciated. While I certainly enjoyed Hugo Weaving’s time as Megatron, I liked how they brought back the original voice of Megatron. That being Frank Welker.

Previously, the only actor that they had brought back from the original 1984 animated series was Peter Cullen. And though Frank Welker would go on to reprise the role for a few games and the next movie, Transformers Prime was the first series that reunited these two as their staple characters four years prior. So having him reprise the role in a movie was nice.

I also think it’s a neat nod to the 1986 animated movie, where there was a voice actor change. In the movie, when Megatron became Galvatron, Leonard Nimoy took over for Frank Welker. The latter would go on to take over for the remaining two seasons of the animated series, however, there was that voice change when the character changed.

And I feel like that’s kind of what they did. Though considering Hugo Weaving was a little bit more selective with his roles around the time Age of Extinction was under way, that might not have been the initial intent. Even so, I just think a neat way to have that switch, even if it wasn’t why that change was made.

Negative: It Didn’t Feeling as Engaging and Feels Familiar

Maybe it’s because of how often FX played it, or maybe it was me just not being as invested in the movies after Dark of the Moon, but it doesn’t feel as engaging as it could have been. When this movie was released in theaters, I don’t recall being as invested in or excited about the movie. Not enough for me to want to see it in theaters anyways. And then when it had its home release, I didn’t feel compelled to but it like I had with the first three.

And when it comes to FX, it did feel like they played this one more than any other movie in this franchise. There isn’t anything wrong with re-watching a movie or a station to play the movie however many times it pleases, I just feel like they played it excessively. And that didn’t really help me feel like it was worth catching until I finally decided to sit through the whole thing.

The plot could also factor in since it doesn’t feel like it tried too many new ideas. There were some, like the dynamic with a new cast of characters and the creation of Galvatron, but other than that, I don’t feel like it took as many risks as it could have. That doesn’t mean I think the plot was all bad. I can see what it was going for. I guess it feels rather formulaic. It feels a bit similar to the previous movies (ex evading the government, a big showdown with Megatron, a battle with the other big bads like Sentinel and the Fallen, etc.).

Conclusion

I would probably give this movie a 6.5 out of 10. I feel like there were some good ideas here, like new characters, neat designs and bringing Frank Welker back. The human characters I feel are a hit or miss group in these movies, but characters like Cade, I think were alright. However, the slight disconnect at certain times, how the Dinobots were introduced, and the fact it didn’t feel as engaging or new did bring this movie down for me.

But what did you think of this movie? Did you enjoy it? Why or why not?

Sandman (2022): A Review

For the first time in a long time, I found myself enjoying a new series. That series being the recently released The Sandman series on Netflix. Going into this series, I was pretty hopeful. And having read the first two volumes, which this season covers, I can honestly say it was a pretty faithful adaptation.

Since this show is still relatively new, I will avoid spoilers as much as possible. But in any case, POTENTIAL SPOILERS AHEAD.

The Synopsis

When Morpheus, better known as the Sandman and Dream, is captured in an attempt to resurrect a man’s son, he spends the better part of a century (one hundred and five years to be exact) trapped and without his tools. Upon his release, Morpheus is on a mission to retrieve what was stolen from him and get revenge.

Along the way, he will return to his home in the Dream World, meet Matthew, his new raven companion, and visit Lucifer Morningstar as he retrieves what was once lost. And as the dust settles, he will be reunited with his sister, the ever charming and insightful, Death and learns of someone known as The Vortex, which could prove catastrophic if not approached accordingly.

This first season covers the first two volumes of The Sandman series, Preludes and Nocturnes and The Dollhouse.

Positives

When it comes to positives, I think there are quite a few. The most significant for me being, the story, the characters, the casting, and how it translated as an adaptation.

I also like the darker fantasy tone it had. As someone who enjoys fantasy, it’s always nice to fins a good series, book, or what have you in this genre. And The Sandman does that really well for me.

Its also worth noting that Neil Gaiman, the creator of The Sandman comics. So while I do think they did really well adapting it, it’s neat that Neil Gaiman did have a hand in the production. So I would hope he enjoyed how the show came out.

The Story

As a story, The Sandman is an intriguing one. The idea of the personifications of things like dream, death, desire, despair, delirium, destiny, and destruction living among us is a concept that can certainly create some interesting and philosophical story. And it was.

In general, what I think this season did really well was the approach and set up. It sets up the world and characters well. It knew what it wanted to do with it’s story and setting and did it in a way that I felt was well executed.

As an adaptation of the first two volumes of the comic, I think it did really well. While Neil Gaiman had a hand in it’s production, it was able to, not only tell the story pretty accurately, but have necessary changes and additions that worked.

The Characters

The characters were also interesting. Each one having their own story to tell. There’s Rose, who’s looking to find her brother after they were separated when they were younger, Doctor Destiny (a.k.a. John Dee), who, after escaping an Asylum, wants “everyone to live with their truth” and for a “more honest” world, and Corinthian, who wants to be his own person and prevent Morpheus from stopping him. Though not all of the characters we get to see outside of The Endless, these are just a few examples.

While only four of the seven Endless (the group of entities that Morpheus is apart of) appear in this season, they were all unique and fit what they personify well. Morpheus takes his job as the ruler of dreams very seriously, knowing how it effects the waking world and how destructive the lose of it can be.

Desire, though not appearing as often as Morpheus, makes a great impression and sets up what to expect with their relationship with Morpheus. As well as their twin Despair, who does make a brief appearance. Should a season 2 get green lit, which I’m confident will happen, I feel that these two will get a lot more attention and development.

And then there’s Death, the oldest Endless introduces thus far, and the second eldest over all. She was the one that Alex Burgess was looking to capture when he got Mopheus instead.

Casting

I do believe that the casting choices were great. I know casting can cause debate on initial reveal and sometimes after, but I think that the casting choices were good. Some of my favorites include Mason Alexander Park as Desire, David Thewlis as Doctor Destiny, Kirby Howell-Baptiste as Death, Vivienne Acheampong as Lucienne, and Gwendoline Christie as Lucifer. Tom Sturridge also pulls off Morpheus really well. Not only in appearance, but in voice too. He sounded how I would expect Morpheus to, so I really enjoyed his portrayal.

And of course, there are other casting choices I thought were really well too. Even in voice work like Patton Oswald as Matthew the raven and Mark Hamil as Merv Pumpkinhead.

Overall, I do think that the casting choice was good. It’s also pretty diverse, which I think is pretty cool. I also think it works. For instance, with Desire being very ambiguous as far as their identity (in the comics Desire is often referred to as sibling). So casting Mason Alexander Park (They/Them) in the role, I feel was a good choice. Plus, I really think they bring a real charm to the character, and I can’t wait to see how the character develops from here (Death too, because I really want to see more of her too).

Critiques

I don’t really have that many negatives for this season. However, while I might think this show is really good and a great adaptation, I wouldn’t necessarily say it’s flawless. That said, my critiques are very minute.

One being that I feel like it could have been an episode or two longer. It might not need it, but I feel like another episode or two would be a nice way to help develop things a little further. That’s not to say I think it’s rushed, which I don’t. I just feel that there could have been an episode that made helps explore Desire a little (without giving too much away), and maybe an episode that explored Rose and Jed Walker past a little more. Again, not exactly necessary, but something. Plus, Desire will probably get more development and screen time in later seasons.

That’s all I can really think of as far as critiques. I suppose upon a rewatch, I might find something else. However, I don’t really have many critiques of the show at this time.

Conclusion

I would give this show a ninety percent. I do think they did a great job adapting the first two volumes of Neil Gaiman’s iconic comic. The casting and characters were great, the story was told really well, and it has an aesthetic that really fits this gothic, horror fantasy. The effects were also really good too. And while it might have one or two flaws in the form of maybe being a little longer, overall, I think this is a really good show and I would recommend it.

Of course, I know it might not be a show for everyone, which is fine. The comic and the Netflix adaptation are a bit dark (I’ve heard that the diner scene was kind of unsettling for one or two people), so I wouldn’t expect it to be for everyone. However, if you are looking for something a little different and/or a dark fantasy, I would recommend it.

With that said, I leave you with the following questions: Have you seen the show yet? If so, what were your thoughts? Are you planning to watch it? Since it’s pretty much a guarantee that a second season will be made, what are some of your hopes going into it? Do you think it will, or should, cover the next two volumes (Dream County and Seasons of Mist)? If you have read the comics, do you think it was a good/faithful adaptation?

The Missing Sister: A Review

This is the most recent book in the series as of this review. The seventh book of the Seven Sisters series answers the overarching question that has remained unanswered since the beginning: Who was the seventh sister that Pa Salt never found?

This book answers that question all the while reuniting the six sisters from the previous book. Also know: Minor Spoilers Ahead.

General Disclaimer

My general disclaimer for this book, and the last time you’ll probably see it since I don’t think Atlas, the eighth and final book, will address Pa Salt’s heritage so much as why Pa Salt adopted all of the sisters and his found family through them.

While this series does involve each character finding their birth family, I do not believe that it was the author’s intent to diminish adopted families. Having read the series, I interpreted it as each daughter being given the choice to find their birth families if they so choose. With each daughter choosing to investigate their history.

Synopsis

When Maia, Ally, Star, CeCe, Tiggy, and Electra receive news about the seventh sister that Pa Salt never found, they decide to look into it. They hope to spark a connection, find out what happened, and why this seventh sister wasn’t found. Their investigation brings them to New Zealand, Canada, England, France and Ireland. Along they way they meet Merry and her daughter Mary-Kate, who may hold the secret to the missing sister.

Jumping back into the 1920’s we get to hear the story of Nuala. Nuala is an Irish woman living through Ireland’s war for independence. Her journey details with where she and her family stand, what actions she takes, and what it was like during this turbulent time.

Positives

I’m a sap for Ireland centered stories, being of Irish decent myself and having a curiosity to learn more about Irish history. So one thing I enjoyed was how this book explored Ireland and it’s history. And with this taking place during a time of conflict, getting a sort of look into it from one perspective was neat.

I also liked how we finally got the sisters all back together for this. With this “missing sister” being something that was referenced multiple times throughout the series, it was nice to see that they didn’t leave this plot point on the cutting room floor.

Another thing I thought was a neat reflection of the story was with Merry and her daughter Mary-Kate. Mary Kate finds herself learning more about herself and her family and finds out the truth about her relationship with Merry.

Critiques

The critiques I have are with Merry and how they approached the search for her. Merry was a character that I had mixed feeling on. On the one hand, I understand why she wouldn’t want to meet with the D’Aplièse sisters to a degree. However, her constantly running was something that I found a bit repetitive and annoying at times. Merry does eventually agree to meet up with them, and readers are able to get a conclusion, but O was a little tired of the constant “the D’Aplièse sisters get to the location Merry’s at, but oh no, she fleed the country” cycle.

On the other hand, I can also see how the approach could have been done better. Realistically, it would feel odd if a group of people kept following you wishing to met, even if it wasn’t just the D’Aplièse sisters Merry was trying to evade. So that part makes sense.

On the other, It felt like it just prolonged the inevitable. I’m not opposed to her trying to avoid the D’Aplièse, just that it shouldn’t have lasted as long as it did. I think it would have been nice or at the very least manageable, if after a while of avoiding them, it’s Mary-Kate who decides to act as a mediator and/or talks her mother into speaking to them much sooner. And from there, resolve any issues and explore Merry and Nuala’s stories. But, that’s just my thoughts on it.

Conclusion

I would give this book a seventy eight percent. This rating I believe will log it as my third favorite in the series. I found the premise of finding the “missing sister” to be a good one, and a great way to tie up that loss end. I also thought it was interesting as far as Nuala’s story taking place during Ireland’s war for independence. The only think I wish they had done better was how they approached the D’Aplièse sisters went looking for their missing sister and aspects of Merry’s story.

Sun Sister: A Review

The Sun Sister, released after I had finally caught up on the rest of the series. I was certainly curious to see what they would do with Electra’s character, as she was the one who seemed to have the least screen presence… or book appearances, when compared to the others. She does show up several times throughout the first five books, but it did feel like she was more so referred to than actually having scenes.

Unfortunately, this would be my least favorite in the series. Due to seeing and agreeing with some of the criticisms in reviews, I do feel like it could have been better. There were a lot of good concepts there, and I was all for them, but I did see how the execution seems rushed. It’s not terrible by any means, however, out of all seven books so far, one had to be the least enjoyed. And for me, it was this one.

Series Disclaimer

While this series does involve each character finding their birth family, I do not believe that it was the author’s intent to diminish adopted families. Having read the series, I interpreted it as each daughter being given the choice to find their birth families if they so choose. With each daughter choosing to investigate their history.

Book Specific Disclaimer

Know that Sun Sister does address drug addiction and recovery throughout Electra’s story. How well the story handles it will depend on the reader, but know that it is addressed.

Synopsis

Electra’s story is one of fame, struggles, and living in the moment. Electra, despite being the youngest sister, has had a rather successful career in modeling. However, her personal life is far from perfect. After putting off the information Pa Salt had left her in regards to her family tree, and getting help for her addiction, she decides to look into it. When she is given a letter from a woman claiming to be her grandmother, she finds herself meeting this woman and discovering her family history while coping and working on bettering herself.

Meanwhile, starting in 1939 Cecily Huntley-Morgan finds herself moving from New York to Kenya on a journey of rediscovery and recovery. With war and disaster on the horizon, she finds herself marrying a man named Bill Forsythe and joining him as he works alongside the Maasai Tribe, who he has close connections with. As loneliness starts to set in, Cecily finds a baby that had been abandoned and raises them as her own.

Positives

I will say that I did appreciate the story it was telling. For Electra’s story, I appreciate how she does get help for her struggles. What she was going through is relatable and worth discussing. I also thought Electra had some good, albeit not perfect, development.

I also thought it was neat how this story did decide to address some of the Civil Rights era. It was a step forward time period wise, where as most of the previous books past story segments took place between the late nineteenth and twentieth centuries. Because while it does start off in the late 1930’s, having a slightly more modern and notable time period was a nice change of pace.

Critiques

Unfortunately, the execution is where it feels lacking. It probably doesn’t help that I did read a few reviews before hand, something I typically try to refrain from unless I am that curious about if a book is worth reading. And while I wouldn’t say that checking out reviews, or getting a second opinion/feedback before going into a book is bad, it did give me something to think about.

Because, while I do think that there were good intentions behind the book, I also think that it wasn’t as well executed as it could have been. Which was something some reviews noted on more or less. So while I can credit it for trying, I can also critique it for it’s execution.

One critique that stuck out to me was how quick the story seemed to skim over Electra’s recovery. And I can kind of see why. It does address it and has some moments dedicated to it, but it does feel like it could have or should have gone more in depth with it. Of course, it goes without saying that I am not an expert when it comes to addiction recovery and how long it should take, despite what knowledge I do have on it. That said, I can see why it might have felt rushed and/or not as developed as it should have been.

Another complaint I’ve seen was with Electra herself. Mostly with characterization. I will admit, Electra was the one sister I was curious about, but also the one I wasn’t sure hot to feel about. I would definitely say the character is a bit rough around the edges and there were areas that might have needed some improvement. However, I don’t think I was as critical to Electra as some people might have been, though I do agree there could have been different ways to handle the character in some instances.

Conclusion

Overall, I would give this book a six out of ten. I do believe that there were areas that could have been improved upon with the character and how certain story elements could have been done differently. That said, I do kind of appreciate what the book was trying to do with it’s handling of Electra’s mental health and addiction, even if the execution wasn’t stellar.