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Release Dates, Dragging, and Repetition: Why I Have Some Reading Fatigue With the Mercy Thompson Series

I’ve talked a few times now about Patricia Briggs’ two major series, Mercy Thompson and Alpha and Omega. I’m also slowly, but surely, working on reviewing the main books of the latter (Outside of Alpha and Omega, I don’t really want to review the other short stories. They’re nice, but not stories I want to review at this time), which may lead me to a third read through of the series (second read through for Wild Sign and probably the fourth for Cry Wolf) since, outside of Cry Wolf, which I’ve read the most, my memory is a little foggy in regards to the others.

Anyways, this isn’t about reviews and rereads. This is about the Mercy Thompson series. I’ve previously gone on record, a.k.a. blogged about, how I prefer the Alpha and Omega series over the Mercy Thompson. However, I haven’t really gone in depth into why. I know I’ve stated how I like Anna as a female lead more than Mercy in terms of personality, how I prefer Charles and Anna’s relationship more than Mercy and Adam’s, and that the length of Alpha and Omega (as it currently stands) doesn’t bother me as much as Mercy Thompson’s. Some of those are more of a preference type thing, but there are a few thing that stop me form enjoying Mercy Thompson more. Nowadays especially, which is unfortunate since I do enjoy Mercy Thompson.

In an attempt to discuss the series, I thought I would take the time to breakdown some of the criticisms I have with the series. As well as why I may feel a bit more fatigued with the series. These will include how the series at times feels like it drags, some repetition, and the release dates.

What I Enjoy About the Mercy Thompson

Before I jump in to my criticisms, I thought I would take a moment to discuss what I consider positives of the series. Because, despite the criticisms I have, and the preference for the other series, I do enjoy this series. Maybe not to the same level as Alpha and Omega, but enough to say that I do genuinely enjoy the series.

One thing I enjoy is the relationship between Mercy, Adam, and Jesse, Adam’s daughter. I like the relationship they were able to build over the years and it’s neat to see how well Jesse and Mercy get along. I know that there are a few tropes with stepparents and stepchildren in media. A few examples include, the evil stepmother trope, the stepparent who tries so much to win their stepchildren affection and/or trust, and the child who dislikes the change that comes with a new stepparent which may sometimes include hating the stepparent.

Mercy and Jesse don’t really seem to fit into any of the previously mentioned tropes. More than anything they appear to enjoy each other’s company with Jesse not too bothered by Mercy getting with Adam. The major conflict that they would have comes with Jesse’s mom. But it’s mostly between Mercy and Christy and how the latter treats everyone around them.

Another thing I enjoy is how Mercy isn’t a werewolf. While she was adopted by Bran Cornick, the head of the North American Wolf pack, Mercy herself was not a werewolf. Rather, a coyote Walker (she can turn into a coyote). So while the series may follow a trope of mostly werewolf and vampire characters, the lead is not one, which is neat. It’s a neat way to give it a somewhat different avenue.

With that out of the way, I’m going to get into what issues I have with the series.

Repetition

When it comes to repetition, it’s not so much that each book feels like the another so much as elements and dialogue. Obviously, each book has it’s own story to tell with it’s own conflicts and resolutions. However, this is an ongoing series with thirteen book as of this post, there are bound to be elements that feel familiar.

For me, aspects that felt repetitive have to do with internal dialogue, perspective, and plot points. Internal dialogue and perspective kind of go hand in hand, but I felt were distinct enough to separate. While some of the world building plot point at times feel repetitive.

In the case of perspective, it has to do with the fact that it is written in the first person (I/we). As such, there may be a limited amount of perspective from the world as far as other characters. That’s not to say that first person is necessarily bad, since I do enjoy first person when don right. However, first person can really go off of what the character knows as opposed to third, which could be a little more flexible in terms of perspective, emotion, and input.

For instance, in book eight, Night Broken, it deals with Adam’s ex-wife, Christy, getting into trouble. She knows that the pack sees Christy differently than she does due to the fact that she was apart of their pack a bit longer (Mercy had left the Bran’s pack as a teen and had been living on her own for years by the time the series started). We also know that she isn’t Christy’s biggest fan in terms of trust and what she did when she was with Adam. Mercy is also aware of how the pack sees her (Mercy) differently. That’s something that does get brought up once or twice in the book. And since we only really get to see her perspective, readers can only get so much as far as what people think about Christy and Mercy. Whereas third person, there would probably be the opportunity to get perspectives from everyone, or a select few characters in a more broader sense. Because of that, Mercy’s perspective may come off as repetitive and limited.

Moving on to internal dialogue, what makes it a bit different from the first person perspective of the series, are things that Mercy herself brings up. Vocally, through her thoughts, and how she experiences the story. One such example is how she refers to Bran and Samuel, Bran’s eldest son. There are a few times where she expresses how and why she that she left his pack, in the broader sense, how she knows certain traits about Bran, and how she perceives Bran. For Samuel, she mentions how they were a couple but separated and reflecting back on it. There are also a few times where she reflects on being on her own, how she felt she was fine not being in a pack prior to joining Adam’s, how she worries about Adam and how she doesn’t always know what he’s thinking. For me, it feels like these topics do come up several times throughout the series, and feels rather repetitive.

My third and final area that feels a bit repetitive is how it reminds the readers about aspects of the world. How vampires don’t really like werewolves, save a few like Stefan, is one such instance. How the fae shouldn’t be taken lightly and always tell the truth is another example. While I get why these aspects are important, it doesn’t need to be as frequently reiterated as it feel like it is.

These aspects to me are what make the series feel repetitive at times. The perspective and internal dialogue reiterate what Mercy knows several times throughout the series. While the reminders of the world and it’s characters is another.

Dragging

When it comes to the series dragging, I’ve narrowed that down to how long it has been running and the stories not always being as engaging. I know series that have long runs can be good, but that doesn’t mean a long running series can feel like it’s dragging on. For example, Naruto. I still have yet to finish the series (What is motivation, am I right?), but I do have a general idea for how this series ends. The manga runs for seventy two volumes or seven hundred chapters. On the one hand, it probably needed that much to get where it wanted to end, so it running that long theoretically could be fine. However, whether or not it felt like it dragged with certain arcs and/or could have ended sooner is a discussion that can be had.

In the case of the Mercy Thompson series, I am not sure how exactly it’s overall story is meant to end, if there is a planned ending at all at this time. It’s still ongoing either way, but if you asked me, “What is the end goal for the series” I couldn’t tell you. Maybe it’ll be with Mercy and Adam settling down and having a child (since a walker and a werewolf having a kid wouldn’t be as fatal as a werewolves having a kid with another werewolf like it was with Charles’ mother). Or maybe it’ll end with Mercy, Adam and Jesse leaving the North American pack. But that’s just speculation on my part.

What makes the series drag for me does have to do with the later books. For me, the later books don’t seem as engaging. I think I started feeling this around book nine or ten. That won’t stop me from reading the series, since I am on, and own, book thirteen. However, I’d be lying if I said that the last few books haven’t been as engaging for me.

If I had to give it a set reason, it probably has to do with the stories themselves. Since it doesn’t have an endgame at this time, it feels like the series is rolling with conflict after conflict in a way that feels like there isn’t much direction overall. That might be just me, but may be why it feels like it drags on.

Release Dates

For my final, and more so external, critique with the series is how frequently the series has been released. Something I have come to realize is just how frequent Mercy Thompson is updated when compared to Alpha and Omega. This is probably a slightly personal one for me, but I do feel it’s one worth mentioning.

Because I am keeping tabs on release dates for both Mercy Thompson and Alpha and Omega, mostly for the latter, I’ve come to realize a pattern with their release dates. I initially noticed this book five of Alpha and Omega, Burn Bright (though technically since book two, Hunting Grounds, but I realized this when I was waiting for book six, Wild Sign to be released) and really picked up on this trend recently.

I’ve noticed that every three years an Alpha and Omega book will be released and in between those released, two Mercy Thompson books will be released. With short stories sprinkled in as Patricia Briggs chooses. An example of this is when books five and six of Alpha and Omega were released. Burn Bright was released in 2018 and Wild Cards was released in 2021. In between these two books, the Mercy Thompson series saw the release of books eleven and twelve: Storm Cursed in 2019 and Smoke Bitten in 2020.

According to the page on released books on Patricia Briggs’ website (https://www.patriciabriggs.com/books/), there is a timeline for the seventh book of Alpha and Omega and the fourteenth book for the Mercy Thompson series, both of which are untitled at this time. The fourteenth book of Mercy Thompson series, is set to be released sometime next year (2023) and the seventh book of the Alpha and Omega series is set to be released some time in 2024.

Because of how consistently the Mercy Thompson series is released, I do feel that this could be a contribution to why I’m feeling a bit more tired with the series. Don’t get me wrong, there’s nothing wrong with a series having a set release date between books, but getting a book almost yearly feels a little over the top (I’m not even sure how to refer to it’s release cycle to be honestly whereas Alpha and Omega come out with a book triannually). At least for me anyways.

Conclusion

While the Mercy Thompson series is one that I enjoy, I’ve come to notice a few reasons why I’m not as fond of it as I am with the Alpha and Omega series. Some repetition, release dates, and some stories feeling like they were dragging have hindered some of my enjoyment. Regardless, I am still going to continue on with the series, with the thirteenth in my possession currently.

Have you read the Mercy Thompson series? What are your thoughts on it? Are there any critiques you have with the series?

Atlas the Story of Pa Salt, the Final Book of The Seven Sisters Series: My Hopes and Expectations.

When The Missing Sister came out back in 2021, I initially thought this would be the last book in the series. Since each book focused on a sister and the seventh being based on the one that went missing, it would make sense. However, checking Goodreads, like I do, I found out that there will be an eighth book. From my understanding this was in the works prior to her passing and announced not long after The Missing Sister’s release.

According to an interview for The Missing Sister (https://lucindariley.co.uk/seven-sisters-series/the-story-of-the-missing-sister/q-and-a/), Lucinda Riley initially planned for this book to be seven books long. However, she didn’t feel like The Missing Sister could tie up all of the loose ends, feeling that she wouldn’t be able to do it justice. So she started on Atlas: The Story of Pa Salt to finish the series.

And while she did pass away a few months after the release of The Missing Sister, that doesn’t mean it will go unfinished. Since she already had passages and key notes on the story in the works, her eldest son Harry Whittaker, will continue, and finish, the story. According to Goodreads, the book has an expected release of January 2023, however, her website states that it has an expected release in Spring of 2023 (https://lucindariley.co.uk/seven-sisters-series/atlas-the-story-of-pa-salt/).

With that said, I thought I would take a moment to discuss some hopes I have for this book. As well as some things I am expecting. I suppose both are interchangeable, but I do feel some topics might fit more as expectations while others fit more so as thing I hope they include.

Honoring Lucinda Riley’s Memory

With this being not only the last book in the series, but the last book by Lucinda Riley, I feel like this book could be a ceremonial way to say farewell to the author. Whether that be in the form of an “in memory of” section” or some form of tribute to the author in the acknowledgements or notes at the end, I think there should be some form of way that the author is remembered. I’m sure there will be, and that’s not to say that Harry Whittaker shouldn’t get credit for his part, just that this book could be a way to honor Lucinda Riley’s memory.

Exploring Pa Salt’s Character

This is titles Atlas: The Story of Pa Salt, so it’s pretty much a given that it will be about Pa Salt. He had a presence throughout the series, but readers never really got to know the character on a personal level. Only how each sister remembers him.

My hope is that this book will give some closure with Pa Salt as a character. Since his character has been dead since the very beginning, I would hope that this goes over who he was as a person, exploring why he adopted each sister, and the lead up to his passing. Let his story be told in a way that works with the story and wraps it up with the sisters learning more about their father.

The Past and Present Storytelling

This might sound odd, but I would hope that it keeps up the tradition of it being told in the present as well as the past. Not only because the series is known for it, but because I feel that it has to. Again, with Pa Salt being deceased, readers won’t exactly be able to get a first hand account of the character. Rather, the sisters learning more about the man who brought them all together. That would be the present bit.

As for the past portion, it would focus on Pa Salt’s life. Here, readers would get to learn about who he was as a person, where he came from, how he became the man he was, and how he found each sister. And much like the other stories, it should go through a big part of his life. It can start with him as a child or young adult (preferably the latter) and go all the way up to his death.

As far as perspective, I could see this taking a slightly different approach. Normally, each book would be told in the first person for each sister and third for the person from the past. I believe The Missing Sister was the only book that told it from the third person perspective for both. Here, I can see it using solely the third person for both perspectives since it would be his story and D’Aplièse getting answers and learning more about Pa Salt. Alternatively, it could be written from third person for the present part and the first person for Pa Salt’s. That would be a nice change of pace while also utilizing something that the series was known for. There is also the chance that the present could shift a first person perspective for each sister, but I feel like that would be unnecessary and could get confusing.

Ending the Series on a High Note

Since this will be the conclusion to the series, I feel like it should end on something of a high note. That would include wrapping up the loose ends it didn’t get to in The Missing Sister, ending with each sister having learned something, show where each sister ends up, and ending the series on a good conclusive note. While I’m not expecting perfection, I do think that it should resolve what it needs to and feels gratifying. Not rushed. Nor do I think it should end on a happily ever after. It would be nice to see it ending on a happier note, but I’m not looking for a happily ever after necessarily. If one or more of the sisters feel like they have to reevaluate their life or how they viewed Pa Salt, that’s okay. But at the same time, they did get a sort of happily ever after at the end of each of their story, and I don’t think that has to be tossed.

Conclusion

These are just a few things I hope for when Atlas: The Story of Pa Salt is released. If you’ve read the series, what are your expectations for it? Is there anything you hope gets addressed? Are you excited for it?

Alpha and Omega by Patricia Briggs: A Review

What if I told you Urban Fantasy was my guilty pleasure genre? If you’ve read my post on two of Patricia Briggs’ works (https://the-little-library.org/2022/04/17/alpha-and-omega-a-guilty-pleasure-read-and-why-i-prefer-this-series-to-mercy-thompson/) you might not be surprised. If you haven’t, you jus might. When it comes to what I read, books will typically fall into one of several categories: Fantasy, Fiction, Historical Fiction, occasionally Romance and Mystery, Graphic Novels/Comics, Nonfiction, and Autobiographies/Biographies/Memoirs. There may be the occasional exception like the YA books (fiction and nonfiction), classics, and the even less often Western.

Urban Fantasy, which I would consider a subgenre of Fantasy, isn’t a genre I typically read. Maybe it’s the reputation they have (ex. cliché), the genre not appealing to me, or both. Whichever the case may be, Urban Fantasy hasn’t appealed to me.

And while I can’t entirely explain why Patricia Briggs’ Alpha and Omega series caught my eye, it did. My curiosity for the series started back in 2018 with the release of the fifth book in the series, Burn Bright, was released. I was working at the library when it was returned, and while the cover art caught my eye, the synopsis pulled me in. But since it was the fifth book (which coincidently happened with I discovered the Seven Sisters series as well), I decided to start from the beginning. That ended up being Cry Wolf, since that is the first book. However, when I realized there was a novella, Alpha and Omega, that kicked off the series, I read it.

Where to Read Alpha and Omega

Because Alpha and Omega is a novella, it doesn’t have it’s own book. Rather, it was included in a couple of compilation book. The first time I read it, I believe it was through On the Prowl which was a collection of short stories and novellas by several authors. However, it’s also in Patricia Briggs’ Shifting Shadows, an omnibus of shorts that collects a good amount of her short stories and novellas for both the Mercy Thompson and Alpha and Omega series.

Alpha and Omega is also included in the hardcover copy of Cry Wolf, which is what I own. However where you can get a hard cover copy can be tricky sometimes. This is mostly due to the fact that the hardcover copy is no longer published (the same could be said for the rest of the series, at least in bookstores like Barnes and Noble). That said, you may find it on places like Amazon and eBay, among other online sites. Just know that depending on the site and condition, it can get a little pricey. I believe when I bought it off Amazon, it was anywhere between $40-$60, and was much higher prior to me purchasing it. When I checked recently, there are copies being sold for roughly $65-$70 before shipping costs or tax.

However, even if you can’t get the hardcover copy of Cry Wolf, there are alternative options. So if you’d rather get it else where and save a few bucks, I would recommend Shifting Shadows. It has Alpha and Omega as well as other short stories in the Mercy Thompson Universe (the universe that the Mercy Thompson and Alpha and Omega series take place in). That way, if you choose to read either or both series, you have the option to read the tie in short stories as you progress.

The only novels that aren’t included are the graphic novels, Homecoming and Hopcross Jilly (Mercy Thompson), Unappreciated Gifts (Both) which can be found in A Fantastic Holiday Season: The Gift of Stories, Asil and the Not Date (Alpha and Omega) which can be found in Fantastic Hope, and Dating Terrors (Alpha and Omega), which can be found in Heroic Hearts.

Disclaimer

Though it does not go into heavy detail, this novella does mention, it does cover some sensitive topics. Mostly mentions of one or two types of abuse towards Anna.

Synopsis

Onto the actual review. Alpha and Omega, as previously stated, is the prelude to the series. Or Book 0.5 when/if you’re using Goodreads for series order.

When disappearances have been going on involving the werewolf pack in Chicago, “submissive” Anna puts in a call to Bram Cornick, the head of the North American werewolves, with information. He agrees to send out his son Charles to meet up with her and investigate.

When Charles arrives, he finds out an array of things in regards to Leo’s pack. For instance, Leo has been forcing people to Change (become a werewolf), which goes against the law of consent they have when it comes to werewolves, which is how Anna became one. Charles also finds out that Leo is sending away or getting rid of members who don’t submit to the pack, which includes the werewolf that went missing.

However, what perks his curiosity is Anna. Thought to be a submissive, the lowest member of the pack, she had gone through abuse at the hands of the pack Alpha and that she had been “passed around”. Both of which are egregious on their own, especially with how several members of the pack talk to/about her in his presence, but even more so when Charles Brother Wolf (the term to describe their werewolf half), decides that Anna is who he wants to be with.

This leads to Charles’ mission to become one of correcting Leo and his pack as well as a mission to safely extract Anna from them. Ultimately leading to Anna joining Charles’ pack and becoming his partner. As well as finding out that Anna isn’t a submissive, but actually and Omega, a werewolf known for their soothing nature and abilities.

Positives

What I enjoyed about this novella was how it set up the world. Because while it does take place in the Mercy Thompson universe, this story is it’s own thing. This sets up the world enough to give us an idea what to expect with Charles and Anna and where their relationship will go.

It also sets up its universe without feeling too expository. Readers get a general gist of laws, what to do when it comes to Changing non-werewolves, and the dangers of child birth in couples that are both werewolves.

It also doesn’t end with them falling instantly in love like some Urban Fantasies may do. Because while Charles and Anna do end up together, Charles does make his stance clear on wanting to slowly and surely get into a relationship. He did end up revealing that his werewolf side has chosen Anna, but he didn’t want to rush a relationship. And given what she had gone through, I think is a good way to set up how he doesn’t want to treat Anna like her previous pack did and give her respect and space.

Critiques

Of course, as much as I enjoy this series, that doesn’t mean it is without fault. My critiques with this story have to do with accessibility and cliché.

Though a bit out of it’s control, this novella isn’t the easiest to get your hands on. I have seen comments/reviews saying how they didn’t know about it at first or had to go out of there way to read it. And while I would say it is a necessary read to understand how Anna ended up with Charles, I do admit that this should have been marketed a little more frequently. It could be it’s own short, standalone, novel. Yes, this may only clock in at about seventy or so pages, depending on the print of the collection, but I have seen books marketed for adult audiences with a hundred or so pages, so it wouldn’t be that unheard of. Alternatively, it could have been included in the paperback copies. Because while the Mass Market copy’s dimensions are 4.18 x 0.87 x 6.73 inches (according to Amazon) and might not be able to handle the extra pages, the dimensions could be adjusted to do so.

As far as clichés, there are genre typical clichés that you will find in this series (as well as the Mercy Thompson series). Like Charles kind of being the dark and brooding type and Anna being your average everyday girl before becoming a werewolf. The fact that this series, and the Mercy Thompson series, explores creatures like werewolves, vampires, the fae, and the like could also be seen as a cliché as well as Anna being a sort of damsel in distress. None of these hindered the story enough for me to hate this series, but they are there.

The one thing I think this series does differently than some Urban Fantasies, Mercy Thompson included, is how Anna isn’t seen as this overly tough as nails type of leading lady. She’s more soft spoken and introverted, with her previous pack being a big part of the reason why.

Conclusion

Overall, I would probably give Alpha and Omega a seven out of ten. It does fall into some of the typical Urban Fantasy clichés/tropes that are common in the genre and nay be hard to access, but it does have a good set up for what’s to come.

If you choose to read this novella, I would recommend it. It might not be one hundred percent necessary to understand the plot of Cry Wolf onwards, but it does explain some of what the books don’t really address out of statements and conversations. Mostly in regards to Anna’s past pack and how she came to Charles’.