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Nightcrawler 2004: A Review

Written by Roberto Aguirre-Sacasa and illustrated by Darick Robertson, 2004’s Nightcrawler marks the third time Nightcrawler had a solo outing, but the first time he had a multi-volume (two to be exact) run as opposed to the previous two four issue runs. This has to be one of my favorite Nightcrawler centered runs thus far, with Way of X being another and Claremont’s 70’s and 80’s being a good X-Men run that also happens to have him in it.

Minor Content Disclaimer

This series does use the term g*psy twice when introducing Margali in two issues. As well as two stereotypes: Margali being a fortune teller and her and her family being a part of the circus. I had previously learned that fortune telling is a common stereotype for Romani people while the stereotype of them working in the circus (and certain entertainment fields) is something I learned recently.

Based on what I currently know, I am viewing this similarly to how I did with Moon Sister, namely a Q&A and synopsis (can’t remember if the term was used in the book at the moment). That being, I do not believe the people behind the series were trying to be malicious. Misinformed and/or uninformed? Perhaps. There is also the fact that this is an almost twenty year old series, which more than anything, gives context for how Romani characters has changed in the years since.

That does not mean I am excusing the term or stereotypes. I many be giving them the benefit of the doubt when it comes to intent, until proven otherwise (if proven otherwise). It is still an issue even if they weren’t meaning to be. Nor does it’s age excuse it. It may provide context for how Romani characters were approach then compared to now, but that doesn’t mean the series gets a pass.

I strive to be as mindful as I can be when it comes to reviews, recommendations, and the like. And when making reviews for books or any media (movies, shows, etc.), if there’s something that people might want to know about (ex. content warnings or a disclaimer for terms/topics/etc. that might seem jarring or problematic), I will mention it.

Synopsis

This run focuses on two different yet interconnected stories. The first volume deals with demons and murder in a hospital. The second, deals with Nightcrawler’s past and how a demon named Hive was associated with it.

In The Devil Inside (issues 1-6), Nightcrawler is tasked with investigating the murder of thirteen children at a hospital with the only survivor, a young boy named Seth, being the key to unraveling the true nature of these murders. With the help of the night nurse Christine and Ororo keeping an eye on the case, Nightcrawler finds out the haunting and supernatural reason behind the murders and Dr. Childs’ involvement.

In The Winding Way (Issues 7-12) Nightcrawler is tormented by a series of surreal dreams involving his past at the circus and something called the Soulsword. This leads to Kurt, alongside Christine and Logan to investigate the circus he had spent quite a bit of time in. And along the way, Amanda Sefton and Margali Szardos, Nightcrawler’s adopted family, alongside Dr. Strange antagonist Nightmare, come to help. After Nightcrawler learns about what is going on and how to stop an array of demons looking for the Soulsword, it concludes with a surprise visit on his birthday.

Positives

This series has quite a few good things in it. The art is good. The story is neat. And the supernatural elements to it feel suitable for a Nightcrawler series.

The artwork here is pretty good. Darick Robertson, who has work on The Boys and Legends of the Dark Knight, did a good job. Greg Land, who also worked on the X-Men story Second Coming, is also mentioned as an artist for the series as well, and I think what he contributed is good too.

Though not the most magically savvy like Magik or other sorcerer/sorceress Marvel characters, I did think that having the supernatural element to this series was a good approach. I feel like Nightcrawler stories do have some versatility to them. Some that readers have seen include swashbuckling adventures with pirates, exploring his past, exploring his religious root, and learning to embrace himself for how he looks even if others do not. The direction this run took I feel works with his character. Because while he isn’t a literal sorcerer, his whole shtick with being a “demon” I feel works with how this story also deals with him fighting them, including the brief interaction with Mephisto, as well as his history with Margali and Amanda, two known sorceresses, who help him out with both main plot points in this run. This story also mixes events from his past with the occult stuff with the present conflict, like what really happened the night Nightcrawler killed Stephan, which I think was an interesting way to explore that. Overall, I think the supernatural aspect of this story really works for this series.

Tying into that, I think the story was a well written one. The transition from the first main plot with the hospital to Kurt searching for answers in regards to the Soulsword was solid. The story about the ghosts haunting the subway was a good transitional issue before it got into the main plot of The Winding Way. While the concluding issue wrapped up the necessary plot point that needed to be.

Nothing really felt out of place for what this series was trying to tell, and I liked how it tied a few things together. Namely how the Soulsword and the demons involved with attacking Kurt and his allies ended up tying into Kurt’s past. Without spoiling too much, it tied into a ringleader who wasn’t particularly kind to Kurt. It was also tied to the death of Stefan Szardos’, Margali’s son, which happened after Kurt promised Stefan that he would to stop him by any means should he lose his way.

As far as characters, I think this series handled them well. No one felt out of character. The characters who had a main role outside of Kurt (for obvious reasons) include Ororo (Storm), Logan (Wolverine), Christine Pakmer, Amanda Sefton, Margali Szardos, Hank McCoy (Beast), and Nightmare. Other characters include the doctor at the hospital, the young boy that survived the incident at the hospital, the ghosts of the miners, and the ringleader. And the main antagonists were the demons involved with the hospital murders and the ones sent to retrieve the Soulsword.

Kurt was the star of the series and it did a great job of handling his character and how he approached the conflicts in it. I also really enjoyed how Storm interacted with him as well as Nightcrawler, Storm, and Logan worked together for an issue. The banter between Nightcrawler and Beast was also amusing and insightful. Honestly, I think this series is one of the best examples of just how well he connects with his friends and fellow X-Men and how well of an impact he has on people.

When it comes to this series, I feel like it did a lot of good things. The art was good and the transition between the two main stories was solid. I enjoyed both stories and feel that characters, especially Nightcrawler, That said, this is not a perfect series, and I do have a few critiques. But before that, I wanted to quickly discuss Margali and Amanda as characters separately.

Margali and Amanda: As Characters

The reason I want to separate these two is because I wanted to talk about what I felt they did right in terms of Margali and Amanda as characters. Because while I do not approve of the term or stereotypes, I do want to address what I believe was done well with the characters and their characterization.

In terms of characterization, I would say they were done well. They do not have a lot of appearances since their debut in 1976 (Amanda) and 1980 (Margali and Stefan). Amanda has a few more appearances due to her relationship with Kurt, but both characters aren’t as utilized when compared to other X-Men characters. So having them here was nice. That said, the reason I feel that their characters were done well was because of the role thy had in the series. That being to help Nightcrawler with his cases and showing how he valued his family.

As magic based characters, they had a better understanding of what was going around Nightcrawler and the supernatural conflicts he was looking into. Margali also had a better understanding of the Soulsword and it’s whereabouts. As Kurt’s family, they always have significant. Because Margali took him in when Mystique had abandoned him, Kurt developed a love for his adopted family. So much so that he still sees Margali as a mother, calling her “mother” and “mamí” on several occasions. Family and acceptance has always been important to Nightcrawler’s character. Especially with how most of the world shuns him for being the way he looks. And this series exhibits that through flashbacks, how he interacts with Amanda and Margali, and how they are there to help him.

It’s also worth mentioning that Margali and Amanda were never villainized for being Romani. They were treated as characters and as people.

As for the issues in series surrounding how they are referred to and affiliations, I can say that they are no longer members of the circus and Margali is no longer a fortune teller. And though they haven’t appeared as often as say Wanda or Pietro, I’m sure they will/would be referred to as Romani in future appearances (I’m uncertain what issues they appear in after Kurt’s death in 2010’s Second Coming and his post resurrection solo in 2014, so I cannot say if they have been referred to as Romani in between those). The only thing that has stuck is their past in the circus, which I do not see that changing anytime soon due to Nightcrawler’s past being so linked to Margali and the circus.

However, overall, I would say that Margali and Amanda were treated well as characters. Though the language and stereotypes are there, which are issues regardless, they weren’t villainized in the series for being Romani. And the role that they had was key in helping Kurt and building on how he views his adopted family.

Criticisms

When it comes to negatives, there are two main critiques I have: Christine’s role after the events of the first six issues and a key element to Amanda and Nightcrawler’s relationship that is still present today.

When it comes to Christine, I feel like they didn’t know what to do with her after the events from The Devil Inside. While she is there for support, it just didn’t feel like she had much to do. The biggest point being the state of their relationship, and the uncertainty of it working out. They do end up breaking up with Christine stating that she would be moving for a job, and Kurt agreeing it was probably for the best. Though he did offer to try and make things work.

Other than that, she didn’t have that much purpose during The Winding Way. She and Logan do accompany him on his journey back to the circus he spent time in, both agreeing to come along when asked. Other than that, she ends up getting attack and almost killed. And when it comes to the main conflict, Christine didn’t seem to have as much to do outside of some dialogue and a sense of urgency after she’s attacked. It’s a shame because I feel they could have done something more with her (not sure what at the moment). Though if they only wanted to address their relationship and break up, I feel they could have done one of two things: have Christine stay behind and reveal that she no longer thinks things will work out, or she comes along and after seeing Kurt getting severely hurt, she decides to call it off because she can no longer take the stress of worrying about him dying.

Overall though, I just think that Christine loses something between The Demon Inside and The Winding Way.

When it comes to Nightcrawler and Amanda’s relationship, there has been an aspect of it that always felt odd to me. That being that they dated. At first glance, it might not seem like much to worry about. The problem is, Amanda is Margali’s daughter, and Margali adopted Nightcrawler. Thereby making them adopted siblings.

Even if Nightcrawler wasn’t officially/legally adopted by Margali, she still adopted and raised him as her own. And yes, this isn’t the only time they were romantically involved (they were in some of the earlier X-Men runs and again in the 2014 Nightcrawler solo). However, considering how Nightcrawler sees Margali as a mother and Stefan a brother, which is reciprocated, why the same was never said about Amanda is strange. Yet, Marvel has repeatedly gone back to them dating, despite them being essentially siblings.

Now, to give credit where it’s due, this is probably the least questionable instance in my opinion. In the series, they aren’t together in the present. They were in the past, which is shown through a memory where Kurt teleports to save Amanda when a stunt goes wrong. And in the heat of the moment, they kiss. Then it’s later addressed that Nightcrawler had broken up with her due Amanda to not always being completely honest with him. It may have a few minor instances where it’s referenced, but other than that, I do feel like this series had the least questionable instance of their romance based on the fact that they weren’t together anymore.

The handling of Christine and Kurt’s relationship with the Amanda were the bigger issues I had with the series. Those, and the problematic elements surrounding the apporach to Romani characters, mainly Margali (the stereotypes and term). Christine could have been handled better in the second half of the series due to it feeling like she wasn’t as needed. And while I don’t think Amanda is a bad character and am fine with her having a good relationship with Nightcrawler, I do have an issue with them being romantically involved due to Margali being a mother to both of them. As for the term and stereotypes, regardless of intent or the time it was released, is an issue. I do hope (and currently presume) that they have since learned about the nature of the stereotypes and term and have become more conscientious of it.

Conclusion

I would give this series and eight and a half out of ten. Overall, I would definitely say that this is a really good X-Men stories and one of my favorites when it comes to Nightcrawler. It had a good atmosphere the supernatural elements and the story it told was an interesting one. It also gives some nice insight into Nightcrawler’s past and how it ties to the cases in the present. And the characters for the most part are really good. Kurt as the lead especially, as well as characters like Storm, Wolverine, Margali, Beast, and Amanda.

It does, however, use some terminology and stereotypes towards the Romani that haven’t aged, and in hindsight shouldn’t have been used (unfortunately, there might not be much that can be done about their past in the circus given it’s significant ties to Nightcrawler’s backstory). And while Christine and Amanda had some good contributions to the series, there are a few issues with them. Namely, it doesn’t feel like Christine had much to do in The Winding Way and while it was in the past and not exclusive to this series, Amanda’s romance with Nightcrawler has always been a strange choice to me due to their relationship to Margali.

If you’re looking for a good X-Men title, Roberto Aguirre-Sacasa’s Nightcrawler is worth a read.

Holy War: What it Did Wrong and How I Think a Story on Nightcrawler’s Priesthood Could Work

Having read a portion of Chuck Austen’s Uncanny X-Men run, I don’t think it would surprise anyone who has read it if I said it is a bad run. In a way, that is the nature of comics. Some authors’ runs are good, some alright, and some bad. It all really depends.

Chuck Austen certainly falls into the bad category. While he might not be at the top of everyone’s disliked list, I can’t recall the last time I’ve heard people say any of his comics were good. Points made for why he is considered a bad writer comes down to things like characterization, characters introduced, stories, and how he treated a number of female characters during his run.

Playing devil’s advocate for a moment, I do think there were good concepts in his run. That despite the stories themselves being executed poorly, the concepts themselves are not bad. For instance, Nightcrawler at one point being a priest, but not anymore isn’t a bad idea. It’s just how Chuck Austen choose to approach it that made it a poorly received story.

That said, I don’t think it’s a coincidence that Chuck Austen’s two worst arcs happen to center on Nightcrawler (Holy War and The Draco). And while I might think there was potential for some concepts in both, I by no mean think they were good stories.

Because of that, I thought I would take these two arcs and see how I think they could have been made better. I finished Holy War earlier this month and I had read The Draco back in August. So I thought this would be a good time to look back at these two arcs and how I think they could have been written better.

I decided to divide it into two different posts so that each arc can be discussed as thoroughly as possible on their own. I’m starting with Holy War since it came first and isn’t as poorly received as The Draco (though not by much). And to approach it, I have divided it up into three parts: A brief synopsis of the story, what the problem was, and what I would do to fix them.

Holy War

Holy War (423-424) was a two part conclusion to wrap up a plot point with the Church of Humanity. After an incident on the school grounds, the X-Men look to investigate. As it would turn out, Nightcrawler ended up becoming a priest though them. The only problem: none of the X-Men remember this happening when Nightcrawler knows he would have told them. When they go to look into it, not only do they find out that the Church of Humanity is attached to several deaths, but was looking to make Nightcrawler a pope only to then expose him as an antichrist so that they could convince people of the Rapture.

What Did Holy War Do Wrong?

For me, one major issues boils down to making Nightcrawler the figure head for this group’s plan. Yes, he looks sinister to the average person (a.k.a. he looks like a demon), but if there’s one thing Nightcrawler is known for is being a Catholic. Even if it’s not always front and center. So making him a pope only to make him an antichrist would feel wrong for the character.

I also feel like it’s super odd that people are surprised that Kurt would want to be a priest or had actually became one. While he might not “look the part”, his fellow X-Men should know that he’s Catholic. Heck, Logan and Kurt did talk about it during the Claremont run back in the 70’s and 80’s. So it’s not like him stating he’s religious is that much of an anomaly. It also shouldn’t be that farfetched that he could be a priest. Sure, it could be odd at first because they know people have given Nightcrawler flack for him being a “demon”, but not to the point that no one thinks he could be a priest. This issue hits Havoc the most since he was the most vocal about how Nightcrawler shouldn’t be a priest because of how he looks.

I also wasn’t too thrilled with how Cyclops approached Nightcrawler at the beginning. It’s more of a nitpick for me, but something about Cyclops how he approached Nightcrawler felt too belligerent for me. I get that six X-Men getting hurt was an issue, but lashing out at Nightcrawler felt like overkill.

How suggestive characters were in this arc is another issue. Both verbally and visually. I can agree that this was an issue because a lot of the comments and how one or two female characters looked felt unnecessary. And the story could have been fine without it.

Before I If I had to give this anything positive, its the art. I know the art might not mean much considering I’m mainly talking about the story itself, however, if there was one thing that I thought it did better than The Draco, it was that. Because while Philip Tan does the cover art, which is a critique for The Draco, the artwork in the story itself is fine.

What a Better Story Could Look Like

I have a few ways that this could have been fixed. First off, separate wanting to make Nightcrawler this antichrist figure and Nightcrawler being a priest. In theory I could see both being their own story. From there, I could see a few ideas playing out.

Note: Kurt is no longer considered a priest. There’s a panel or two that addresses this in I believe Legion of X. There, he states how he went through all the vows and such, but due to circumstance, certain things didn’t hold up any longer. The vow of chastity being one that didn’t hold up.

  1. Kurt becomes a priest, but leaves the church he’s stationed at because of overwhelming anti-mutant sentiments: This is one of two options where Kurt does become a priest, but decides to
  2. Kurt becomes a priest and the church he’s established at respects and appreciates him, but burnout and/or his heart not being in it anymore is what prompts him to retire: This one is a happier alternative to the previous one. Maybe he does go through the process of becoming a priest and finds a church where things work out for him. He’s respected and the people there accept and really like him. However, he ends up retiring. Maybe juggling his daily life, the X-Men, and priesthood makes him feel burnt out. Or perhaps, he feels as though his heart is no longer in it due to juggling everything and feeling like he isn’t as helpful as he could be. So he retires, leaving the church on good terms and is offered a position if he chooses to return in the future.

These are a ways I feel could have been a better story for Holy War. For me, I think if they removed the whole take down the Catholic Church by revealing Nightcrawler is the better option.

Conclusion

In conclusion, I do feel Holy War could have had the potential to be a good story had the story itself been written differently. Personally, I think if they just did a story focusing on Nightcrawler as a priest but eventually retiring, I think that would have been a better idea in the long run. Nightcrawler retiring on his own terms, be it from burnout or feeling it was his time, or the church loathing mutants, I feel would also be a reasonable way for him to no longer be a priest.

Note that I did consider an idea for the cult idea where a group tried to use Nightcrawler’s likeness for their cause. And in it, Nightcrawler would denounce it both in private and publicly (via a broadcast showing him taking down the cult that paraded around with his likeness). However, given how poorly received that angle in Holy War was, I thought it best to avoid what an alternative focusing solely on that would look like.

But what do you think? Do you think the concepts behind Holy War could have been good? Why or why not? How would you approach an altered version of it?

Sandman (2022): A Review

For the first time in a long time, I found myself enjoying a new series. That series being the recently released The Sandman series on Netflix. Going into this series, I was pretty hopeful. And having read the first two volumes, which this season covers, I can honestly say it was a pretty faithful adaptation.

Since this show is still relatively new, I will avoid spoilers as much as possible. But in any case, POTENTIAL SPOILERS AHEAD.

The Synopsis

When Morpheus, better known as the Sandman and Dream, is captured in an attempt to resurrect a man’s son, he spends the better part of a century (one hundred and five years to be exact) trapped and without his tools. Upon his release, Morpheus is on a mission to retrieve what was stolen from him and get revenge.

Along the way, he will return to his home in the Dream World, meet Matthew, his new raven companion, and visit Lucifer Morningstar as he retrieves what was once lost. And as the dust settles, he will be reunited with his sister, the ever charming and insightful, Death and learns of someone known as The Vortex, which could prove catastrophic if not approached accordingly.

This first season covers the first two volumes of The Sandman series, Preludes and Nocturnes and The Dollhouse.

Positives

When it comes to positives, I think there are quite a few. The most significant for me being, the story, the characters, the casting, and how it translated as an adaptation.

I also like the darker fantasy tone it had. As someone who enjoys fantasy, it’s always nice to fins a good series, book, or what have you in this genre. And The Sandman does that really well for me.

Its also worth noting that Neil Gaiman, the creator of The Sandman comics. So while I do think they did really well adapting it, it’s neat that Neil Gaiman did have a hand in the production. So I would hope he enjoyed how the show came out.

The Story

As a story, The Sandman is an intriguing one. The idea of the personifications of things like dream, death, desire, despair, delirium, destiny, and destruction living among us is a concept that can certainly create some interesting and philosophical story. And it was.

In general, what I think this season did really well was the approach and set up. It sets up the world and characters well. It knew what it wanted to do with it’s story and setting and did it in a way that I felt was well executed.

As an adaptation of the first two volumes of the comic, I think it did really well. While Neil Gaiman had a hand in it’s production, it was able to, not only tell the story pretty accurately, but have necessary changes and additions that worked.

The Characters

The characters were also interesting. Each one having their own story to tell. There’s Rose, who’s looking to find her brother after they were separated when they were younger, Doctor Destiny (a.k.a. John Dee), who, after escaping an Asylum, wants “everyone to live with their truth” and for a “more honest” world, and Corinthian, who wants to be his own person and prevent Morpheus from stopping him. Though not all of the characters we get to see outside of The Endless, these are just a few examples.

While only four of the seven Endless (the group of entities that Morpheus is apart of) appear in this season, they were all unique and fit what they personify well. Morpheus takes his job as the ruler of dreams very seriously, knowing how it effects the waking world and how destructive the lose of it can be.

Desire, though not appearing as often as Morpheus, makes a great impression and sets up what to expect with their relationship with Morpheus. As well as their twin Despair, who does make a brief appearance. Should a season 2 get green lit, which I’m confident will happen, I feel that these two will get a lot more attention and development.

And then there’s Death, the oldest Endless introduces thus far, and the second eldest over all. She was the one that Alex Burgess was looking to capture when he got Mopheus instead.

Casting

I do believe that the casting choices were great. I know casting can cause debate on initial reveal and sometimes after, but I think that the casting choices were good. Some of my favorites include Mason Alexander Park as Desire, David Thewlis as Doctor Destiny, Kirby Howell-Baptiste as Death, Vivienne Acheampong as Lucienne, and Gwendoline Christie as Lucifer. Tom Sturridge also pulls off Morpheus really well. Not only in appearance, but in voice too. He sounded how I would expect Morpheus to, so I really enjoyed his portrayal.

And of course, there are other casting choices I thought were really well too. Even in voice work like Patton Oswald as Matthew the raven and Mark Hamil as Merv Pumpkinhead.

Overall, I do think that the casting choice was good. It’s also pretty diverse, which I think is pretty cool. I also think it works. For instance, with Desire being very ambiguous as far as their identity (in the comics Desire is often referred to as sibling). So casting Mason Alexander Park (They/Them) in the role, I feel was a good choice. Plus, I really think they bring a real charm to the character, and I can’t wait to see how the character develops from here (Death too, because I really want to see more of her too).

Critiques

I don’t really have that many negatives for this season. However, while I might think this show is really good and a great adaptation, I wouldn’t necessarily say it’s flawless. That said, my critiques are very minute.

One being that I feel like it could have been an episode or two longer. It might not need it, but I feel like another episode or two would be a nice way to help develop things a little further. That’s not to say I think it’s rushed, which I don’t. I just feel that there could have been an episode that made helps explore Desire a little (without giving too much away), and maybe an episode that explored Rose and Jed Walker past a little more. Again, not exactly necessary, but something. Plus, Desire will probably get more development and screen time in later seasons.

That’s all I can really think of as far as critiques. I suppose upon a rewatch, I might find something else. However, I don’t really have many critiques of the show at this time.

Conclusion

I would give this show a ninety percent. I do think they did a great job adapting the first two volumes of Neil Gaiman’s iconic comic. The casting and characters were great, the story was told really well, and it has an aesthetic that really fits this gothic, horror fantasy. The effects were also really good too. And while it might have one or two flaws in the form of maybe being a little longer, overall, I think this is a really good show and I would recommend it.

Of course, I know it might not be a show for everyone, which is fine. The comic and the Netflix adaptation are a bit dark (I’ve heard that the diner scene was kind of unsettling for one or two people), so I wouldn’t expect it to be for everyone. However, if you are looking for something a little different and/or a dark fantasy, I would recommend it.

With that said, I leave you with the following questions: Have you seen the show yet? If so, what were your thoughts? Are you planning to watch it? Since it’s pretty much a guarantee that a second season will be made, what are some of your hopes going into it? Do you think it will, or should, cover the next two volumes (Dream County and Seasons of Mist)? If you have read the comics, do you think it was a good/faithful adaptation?

My Hopes/Expectations For Netflix’s Sandman Adaptation

What if I told you I only recently got into Neil Gaiman’s Sandman series? Much like Watchmen, Sandman was a series I always know about, but never got into it when I was younger. It wasn’t until I finally started getting into graphic novels/comics and after I was given a recommendation that I checked out both. Watchmen has become one of my favorite comics and I am steadily making my way through Sandman (I’m currently two volumes in and own the first six with plans to get the entire series) and I am enjoying it.

With Netflix’s adaptation coming up fast, I thought I would take a moment to discuss a couple of hopes/expectations I have going into the series. Three to be exact. I plan to watch the series when it’s released, since I am interested in it and it’s one show I am excited to watch. Whether I watch a few episodes a day or binge the entire season in one, we’ll see.

Following the Comic as Closely as Possible, While Still Adding Its Own Flair

When it comes to adaptations, creative liberties are expected and usually fine. Sometimes things get cut or added for the sake of adaptation. And sometimes somethings are tweaked.

For example, Peter Jackson removing the scenes Tom Bombadil when making the Lord of the Rings trilogy. While a case could be made that he should have been left in the movie, since he was where the Hobbits got Bill the horse, I don’t think cutting Tom Bombadil was a bad call. Especially since he didn’t really return after his appearance in Fellowship of the Ring.

Back to Sandman, I do think it should follow along with the comic. Not to a tee perhaps, but still following along as close as possible. It would appear that the first season will follow the first two volumes (Preludes & Nocturnes and The Doll House) and is planned to be a faithful adaptation with a few tweaks (ex. the series taking place in 2021 as opposed to 1989 and Morpheus/Dream being imprisoned for 105 years as opposed to 75). And with Neil Gaiman having a hand in this series, I’m sure he will approve of the direction this series takes.

All and all, I am hopeful that this will be a pretty faithful adaptation with tweaks and creative liberties taken as needed.

Good Special Effects When Needed.

Special effects and CGI are things that can be either really good or really bad depending on the execution. For instance, The Mummy Returns is known for its dated CGI, specifically when it came to the Scorpion King, while Lord of the Rings, which used practical and special effects, would be considered a good use of special effects and CGI.

While I may not be trained in using CGI and the like, as a viewer, I do know how bad effects can ruin or diminish the quality of a property. Put it simply, I would hope for good special effects as well as it not being overly used. I know that the series would need special effects given the nature of the series, but that doesn’t mean it needs to rely too heavily on it. So long as it’s presentable and not too heavily relied on, I think that will be okay.

A Good Time Viewing

As odd as it might sound, so long as it’s a fun/enjoyable time. Granted, the series does tackle some grim/dark topics, but that doesn’t mean it can’t be enjoyed. So long as it is done well and in a way that can be enjoyed, that’s all I can ask for.

I know some of it’s topics won’t be for everyone, which is okay. I wouldn’t expect it to be. I would just hope it tackles everything in a good and tactful way.

And even if it is dark, I think that’s something that should be explored. Not every show will have themes and stories that are positive. That’s not to say that there shouldn’t be good or positive moments (I do feel like Death will have a few of these), just that it shouldn’t be afraid to tackle some of the darker themes and stories from the comics.

And even though I think this can, and likely will, take a darker tone thematically, that doesn’t mean it won’t have positive or good moments. Shows can mix positive and negative traits. Some shows just might lean on some more than others, with sprinkled in aspects of the other, while other shows balance the two. So long as it is well written, it can be enjoyable.

Conclusion

I know open the floor up to you. Are you excited for The Sandman? Are there any expectations you have for the show? Is there a character, or characters, you can’t wait to see brought to life? Are there any series you’d like to see get adaptation into a televised/animated series?

Sources

Nightcrawler: Where it Started, Why I Like Him, and Comics I Own and Have Read

It might go without saying, but Nightcrawler is my favorite Marvel character.  In my experience, I will find that one character that I really get invested in and want to read up on.  When it comes to DC, that comes in the form of Tim Drake (Red Robin/Robin III), Roy Harper (Speedy/Arsenal), Joey Wilson (Jericho), and Ra’s al Ghul.  Of course, I enjoy other characters from both Marvel and DC (ex. Wolverine, Evan Peters’ Quicksilver, Red Hood (Jason Todd), and Starfire), but there will usually be one or two characters that I will always return to.

I thought I would go over where my interest for Nightcrawler began, why I like him, and X-Men comics that I own, alongside Nightcrawler centered stories.

A Little Bit of Background on My Relationship with Marvel and DC

Before I jump right in, I feel like I should preface this stating how I was mostly a DC viewer growing up.  A number of my favorite shows as a kid included Static Shock, Teen Titans, Justice League, Justice League Unlimited, and Batman Beyond.  I did watch Marvel shows like Spider-Man and His Amazing Friends and snippets of X-Men Evolution, enjoyed the Sam Raimi Spider-Man movies, as well as liking the first 2000’s Fantastic Four.  I would certainly say I was more of a DC fan as a kids. 

That kind of continued when I finally got into comics during the rise of DC’s Rebirth comic line after spending years as a slightly more avid manga reader.  I started reading up on characters I liked and branched out and found new characters and series to enjoy.  Recently, I feel like I’ve hit a wall with what to read next with DC.  With Rebirth ending and not really knowing what to jump into next, I was at a bit of a stalemate.  During this time is when I got interested in checking out Marvel content.  More specifically Nightcrawler/X-Men.  I cannot pinpoint exactly when or why it started, but it was in the last few months.

Currently, I’ve read through a good chunk of the original X-Men run, read through the 2003 run of Wolverine, a few smaller X-Men runs like X-Men Gold, X-Men Red, and All New X-Men, and am planning to jump into Sandman (DC/Gaiman) and getting into the X-Men run starting with House of X.  

The Beginning: Where it Began

With that little bit of history out of the way, allow me to get into Nightcrawler.  I guess it would have started with X-Men Evolution.  I didn’t watch it much when I was younger, but when I did catch it, I found myself liking Kurt.  It probably had to do with how laid back he was and him being the more comedic of the gang (that probably contributed to why I liked TMNT 2003’s Michelangelo too).  One episode of X-Men Evolution I remember watching was Middleverse, the season one episode where Kurt accidently ends up in another dimension of sorts and meets Forge.  It wasn’t the only X-Men media I had watched over the years, as I also remember seeing Wolverine 2013, First Class, and was overall aware of the X-Men movies.  Though, I will admit that I never got around to all of it back then.  

Jump to the latter half of 2021.  I was trying to find more graphic novels to read, but I was at a bit of a stalemate.   I fell into a bit of a DC slump.  Rebirth was ending and The Joker War event, mainly what they did with the Nightwing portion, I think burnt me out a little.  Nothing seemed to be grasping my interest except for Batman Urban Legends, which is where Tim Drake came out as bisexual.  Side note: I actually purchased a hard copy of Batman Urban Legends not too long ago. 

It would be around this time that I would start getting into Nightcrawler.  And it involved a crossover in a DC community I am apart of.  It’s there that this interest in Kurt returned.  It would respawned an interest in Nightcrawler and be what lead to my getting into X-Men as a whole.

Then came the movies, which I am getting around to binging.  I think the only reason I hadn’t was because of how the timeline diverged after First Class and/or Days of Future Past, and for whatever reason that confused me at first.  That and the poor reception of The Last Stand, X-Men Origins: Wolverine, and Dark Phoenix.  In hindsight, the timeline of the movies isn’t all that complicated, and I’m still going to watch all of movies, weaker ones included.  The movies also had some stellar casting choices.  Patrick Stewart and James McAvoy as Charles Xavier/Professor X, Ian McKellen and Michael Fassbender as Erik Lehnsherr/Magneto, and Hugh Jackman were all iconic.  A good chunk of the cast was also good.  For instance, people really seem to enjoy Evan Peters’ Peter (Pietro) Maximoff, myself included. 

And of course, there’s Kurt Wagner.  Portrayed by Alan Cummings in X2 and Kodi Smit-McPhee in Apocalypse and Dark Phoenix, I would say both did well with the character.  I kind of like Kodi Smit-McPhee’s a little better, but Alan Cummings did good too.  I only wish either appearance confirmed Nightcrawler’s relation with Mystique, his mother.  Heck, they could have confirmed both of Nightcrawler’s parents in Apocalypse and Dark Phoenix since Azazel, his father, appeared in First Class (and later confirmed dead) and Mystique was present since First Class.

That’s were it all began.  An interest in Nightcrawler’s X-Men Evolution would go dormant until a crossover event reignited by interest in the character.  And his portrayals in the movies have caught my interest.  

The Character: Why I Like Him

Why do I like Nightcrawler?  There’s a lot to like about him, I think.  In terms of design, he looks pretty cool.  His abilities are neat and his weaknesses make sense.  For me, it comes down to personality, backstory, and what he represents.

In terms of personality, he’s light-hearted and optimistic.  He can display moments of anger, sorrow, and fear, but he is usually seen as pretty positive, all things considered.  And with Logan being his best friend, it’s the perfect balance to his more stern and pessimistic world view.  He’s flirty, but not in a problematic or annoying kind of way.  In some ways, he could be seen as a hopeful outlook for the future, while also not being blind to the problems in the world.  

His backstory.  There is a lot that went wrong in his life, despite what his more positive outlook might suggest.  His mother abandoned him as a baby.  The circus that he was raised in drugged and used him.  Said circus was also going to sell him to be a road side attraction if not for Margali Szardos, his adopted mother, freeing him.  And because of a promise he made, Kurt had to kill his adopted brother when he lost his mind and killed a bunch of people, not that the mob knew.

I think his past is something that helps show how despite how terrible things can be, people can still come out of it on top.  It might not be easy, but it is possible.  Life didn’t give Nightcrawler much peace prior to joining the X-Men.  Margali and her biological children certainly love him like family, but the circus they were apart of wanted to exploit him.  And the reason Charles found him being pursued was because the mob chasing him thought he killed Stefan Szardos and the missing people, when in actuality, Stefan killed the missing people and Kurt only killed Stefan out of self-defense and a promise he made to Stefan, where if Stefan went off the deep end, Kurt would stop him.  Yet, he never became cruel later in life, rather, he was a better person than those who wronged him.

I also kind of like how he got the last name Wagner.  At least originally.  I’m not sure if Marvel ever retconned the whole thing where Mystique was married to Baron Christian Wagner and had an affair with Azazel, which later lead to Kurt’s conception, and that being where Kurt got his last name despite not being the baron’s biological son.  Originally, Kurt took on the last name Wagner because of a priest to housed him after Margali released him and he was being pursued.  Father Wagner gave Kurt a place to stay, despite Kurt’s “demonic” appearance.  This is also where Kurt’s teleporting would come into effect as he would use it when Herr Getmann’s men came for him.  He did end up leaving the church, but Kurt didn’t forget the priest’s kindness, taking on the last name Wagner in his honor.  

As for what Kurt represents, I feel he fits into a few different categories.  I’ve mentioned how he represents good people rising up from bad situations, which is one thing he can represent.  Something else he represents is how people shouldn’t judge things based on how they appear.  The old Never Judge a Book by It’s Cover saying if you will.  He might look evil/demonic, but is one of the most kind hearted and saintly people out there.  That’s something that also makes his friendship with Logan great and so symbolic.  Both of them are considered monsters in some way, externally (Kurt) or internally (Logan).  Yet, both are also human.  Logan has gone onto say how Kurt is one of the most saintly guys he’s met, and Kurt, despite knowing how gruesome his job can be, sees the good in Logan and knows that he’s not an animal or evil.

One other thing I feel Kurt represents, and this could just be me, is irony.  He’s a “demon” yet he’s Catholic.  He’s morally good, while his parents would be considered morally bad (though Mystique could be morally grey given she isn’t purely evil and has helped her children).  Both of which I feel perfectly define what irony is.  

Reading Between the Lines: Comics I’ve Read and Comics I Own

I own a handful of X-Men comics.  Some solo series, some with the team.  Nightcrawler has a few solo series: Age of X-Men: The Amazing Nightcrawler, X-Men Icons: Nightcrawler, a four issue mini series, and two twelve solo series in 2003 and 2014.  Of his solo pieces, I own the 2003 and 2014.  I haven’t started them yet, but I have skimmed through both. 

As far as X-Men comics with Nightcrawler as a central character, I’ve read and own several.  Of course there is the X-Men run in the 70’s, starting with Giant Sized X-Men #1 by Chris Claremont.  That run, which does go on for several years, is recommended by quite a few people who want to start X-Men comics.  It’s a classic and a good place for a start.  I don’t own any of the Claremont run, but I do have a list of issues that I’d like to purchase one day.  A few other series I’ve read through in their entirety include X-Men Gold, Extraordinary X-Men.  I’ve read some of Wolverine’s 2003 run, some of Wolverine’s first solo, Second Coming, the story where Nightcrawler dies, and one volume of Chuck Austen’s Uncanny X-Men.  Specifically the Trial of Juggernaut volume since it had the notoriously bad story, The Draco, which I only read after I learned about Kurt’s father through the First Class movie and his appearance in Amazing X-Men volume one (the one where Nightcrawler is brought back to life).

I like Azazel, and don’t mind him as Kurt’s father.  It’s a bit of an unpopular opinion, but that’s okay.  I was going to read The Draco either way because I wanted to see how bad it was.  But since I liked Azazel in his other appearances, The Draco didn’t tarnish it much, outside of thinking that the story could have been a whole lot better.

A few other comics I own, but have yet to start, include House of M, Inferno, Giant-Sized X-Men volume #1 (2020), Way of X, X-Men (2020) volume one, Amazing X-Men volume 1 The Quest for Nightcrawler, The Hellfire Gala, Wolverine (2020) volumes 1-3, The Death of Wolverine, The Return of Wolverine, Wolverine: Weapon X the Gallery Edition, and Wolverine the Deluxe Edition.  I might be missing one or two, but those are the ones I know I own.  Nightcrawler also appears in a number of them.

I would certainly say that my collection is very Nightcrawler and Wolverine involved.  Yes, the broader X-Men comics do have the rest of the X-Men, but if there was a pattern, that would be it.  Which is by no means a problem.  Everyone reads comics a bit differently.  I will certainly read a series if it interests me, but I also like reading comics with my favorite characters.  It’s a reader by reader basis.

While I would recommend all of these, if you are looking for Nightcrawler reads, I would recommend: Claremont’s run starting with Giant-Sized X-Men #1, Nightcrawler (2003), Wolverine by Greg Rucka #6, for both a great story with Logan and Kurt and a gem of a censor passing cover, Second Coming, Amazing X-Men, Nightcrawler (2014), House of M, X-Men Gold, X-Men (2020), Giant-Sized X-Men (2020), Return of Wolverine, Way of X, and Inferno.  There are more out there, I am still working my way through X-Men comics. 

And as for movies, I’d recommend X2, X-Men Apocalypse, and X-Men Dark Phoenix.  I know the last one is considered more of a miss, just like the Dark Phoenix adaptation before it (The Last Stand), but thought I would include it.

BAMF: The Conclusion

Though not X-Men’s most popular member, Nightcrawler is one that is generally liked.  For me, a combination of his personality, backstory, adaptations, and what he symbolically represents is what I enjoy.  I also really enjoy his friendship with Logan.  I hope you enjoyed this little deep dive into why I like Kurt Wagner.  

Now I leave you with the following.  What are your thoughts on Nightcrawler?  What are your favorite adaptations of Nightcrawler?  Favorite stories?  Who’s your favorite X-Men member?

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Logan and Kurt Wagner’s Friendship: Why it Works and Why it’s Important

Friendships are wonderful little things. Anyone can form friendships with anybody. Maybe they have similar interests and/or backgrounds. Maybe they have some similarities and differences and those differences do not hinder a healthy friendship.

Friendships can be found anywhere. School. Work. At the park and so on. Even online. So long as people can interact with each other, friendships can be made. You’ll even find friendships in media, be it shows like Degrassi, movies like The Outsiders, or books like Sisterhood of the Travelling Pants.

The point is, friendships can be found anywhere and everywhere. They are a significant relationship in everyday life, and can be with anyone.

Now, there are a lot of friendships in media that people will know of and/or enjoy. A few examples include, Sherlock Holmes and John Watson from Sherlock Holmes, Meriadoc “Merry” Brandybuck and Peregrin “Pippin” Took from Lord of the Rings, Samwise “Sam” Gamgee and Frodo Baggins from Lord of the Rings, Han Solo and Chewbacca from Star Wars, Green Lantern (Hal Jordan) and Flash (Barry Allen), and Woody and Buzz from Toy Story.

If there’s one friendship that might not get as talked about, especially outside of the X-Men sphere, it’s the friendship between Logan (Wolverine) and Kurt Wagner (Nightcrawler). Compared to the likes of the Scott, Jean, and Logan trifecta, Wanda and Pietro Maximoff (Scarlett Witch and Quicksilver), Mystique, Rogue, and Destiny, Mystique and Kurt, and the Erik and Charles friendship, this might not be a relationship people think about when someone says “X-Men relationships”.

So I thought I would take the time to discuss what I believe one of the best friendships in comics. These two have such a close friendship and is one that should be appreciated for what it is. Because even with how different these

What it Means to be Human: Physically, Personally, Morally

“Kurt was the only guy that ever looked me in the eyes like a man, and spoke to me like one, and treated me like one. No matter what I did or where I was or how I felt. He was my best friend, and he never treated me like a damn animal.”
-Wolverine X-Men Second Coming (2010)

Isn’t that just a passionate quote? And it really says a lot about how people view Logan and just how different Kurt was in that regard. This quote also says a lot about being human, something both characters have an odd relationship with.

But what does it mean to be human? That’s something that can cause confusion or understanding depending on how you approach the question.

There’s the physical/biological side, where one would be able to identify the differences between say a human and a panda for instance. Or in the case of Science Fiction and comics, the differences between human and alien. Some aliens look human, but have superhuman abilities (Superman) and those that don’t (Martian Manhunter) and have different abilities and anatomy.

In a metaphorical sense, ‘being human’ can refer to imperfections or emotions. As the old saying goes, ‘nobody’s perfect’ and that seems to be synonymous with being human. And the emotional side of it refers to how, as human, people are supposed to have emotions. People are not robots and emotions are a key factor into that.

For X-Men, and more specifically Logan and Kurt, being human seems to refer to how good/kind hearted/pure a person is. And despite mutants being, well mutants, they are as human as anyone else. And considering X-Men was inspired by and originally an allegory for the Civil Rights Movement, being released on ’63, its safe to say that a feeling of being human is prevalent for this series.

And in the case of Logan and Kurt, being human has a double meaning. Both characters are known for being human (pure/integral or in appearance) in one sense and monsters in others (appearance and actions).

Logan: Human in Appearance, Animalistic in Nature

Starting with Logan, one would say he looks generally human. Barring the adamantium skeleton and claws. He could pass for human more so than Kurt, not even needing an image inducer to do so. When it comes to looking human, Logan certainly passes the appearance portion, much like a great number of other mutants. It’s only when the claws are drawn when he doesn’t.

But on the inside , he would be considered a monster. A man with a violent streak, who isn’t afraid to kill and with a berserk mean streak, it easy to see why people would be more scared of him and see him as a monster. And Logan knows it. He also has a more cynical world view. And while not inherently bad, it may make approaching him that much harder.

Kurt: Demonic in Appearance, Saintly at Heart

For Kurt, it’s the exact opposite. Being labeled as a monster and a demon were things that he grew up with. He was drugged by the circus, abandoned as a baby, even chased by a mob when they thought he killed some kids despite only killing his adopted brother in self-defense and a promise (if his adopted brother ever went insane, he promised to do whatever it took to stop him).

Yet, Kurt is the most pure hearted mutant out there. Logan even went as far as to say Kurt was the closest thing to a saint there is. While maybe not perfect, he is a wonderful human being. And that’s even more apparent when you consider who his parents are. He represents never judging people based on their appearances.

Time and time again, they show that there is good in them. Even if Logan is harsher in his methods, he does have a kinder side. And Kurt, despite looking like he would hunt someone down and kill them, has a heart of gold.

For them, being human is less of a feeling of normalcy, but something that shows how good they are as people. That while having faults and at times making not great choices, they are no less human than the average person and deserve respect.

Seeing their humanity is something that makes their friendship worthwhile. In a world where people’s humanity can be forgotten at times, friendships like these can help humanize people. That’s not to say that everything that criminals have done should be sympathized with, and that certain actions are inexcusable. Merely that the average person is human and should be understood, and sometimes it can be easy to forget a person’s humanity in the heat of a moment. And that’s what this friendship can symbolize.

Acceptance and Understanding.

“You are unique, Logan. And I do not speak of what has been done to you. Is a wolf evil when id culls the sickness from the herd?” -Kurt Wagner (Wolverine 2003 #6)

This ties in with the previous point, but in regards to how well both characters understand each other and respect their humanity. Humanity and psychology is something that’s noted when it comes to Logan and Kurt, but it’s not always understood. Not every X-Men will have as deep of an understanding as these two do as friends. Even less so for the average non-mutant. There are a few people who have a general understanding of the two and why they are the way they are.

One example would be Storm. When Kurt died, she understood that Logan was grieving despite disapproving that his anger was getting the better of him with some of the students. Yes, he shouldn’t have been on the offensive when they were just trying to light some candles, but she knew he was grieving and that he thought they were taking Kurt’s belongings. She also understood Logan wishing he had killed more people if it meant Kurt lived. Even if it meant this moment would have been their last. She also understood where Kurt was coming from when dealing with a case with a child and demons. He was taking his time, but understood why he was.

The Mindset

Out of the two, Kurt would probably be considered the morally pure of them. Not just because he’s Catholic and that somehow gives him higher morality (people can be kind hearted whether they are religious or not), but because his character has always been presented as forgiving, kind hearted, and wanting to understand. Him being Catholic may be part of the reason, but not the only reason.

That doesn’t mean he is without flaws. Like everyone else, he’s not perfect. He has flaws and has made mistakes.

His biggest personal struggle comes in the form of his trauma growing up and showing his true colors. Because the mob was so intent on killing him, and the circus treating him as less than human, being self conscious about his appearance is reasonable.

Logan, meanwhile, is the more pragmatic of the two. Having lived for more than a century, it should be no surprise that he views the world more coldly. He experienced wars starting with the Civil War, was experimented on, suffered losses, and was used as a government tool.

That’s not to say that he isn’t a good person in some ways. He may choose to kill, but his motive is not one of malicious intent or animalistic desires (anymore).

Like Kurt he has his own internal struggles. His memory being one. Being treated as an animal and experimented on is another. The world he was exposed to makes him a lot more cynical and the horrors he’s seen traumatic. Yet, it’s being treated and perceived as an animal that really strikes a nerve. Logan knows he’s done a lot of things in his life, some that can be more rationalized than others. And while part of him may be used to the reactions he gets, he seems to have this drive to prove he’s not some animal that kills for nothing.

Some people may be able to understand their plight, however, the people who seem to understand the most about Kurt and Logan is Logan and Kurt. There’s at least one instance for each that stand out (though there are more). Wolverine (2003) #6 and Classic X-Men #4 The Big Dare.

Wolverine #6 (2003) by Greg Rucka

In Wolverine #6 (2003), when discussing how Logan killed twenty seven men to rescue hostages of a cult, Kurt tries to understand the reasoning behind it. He wasn’t looking for an excuse, but to better understand of Logan’s situation. He argues that had Logan acted in malice by killing innocent people, Logan would become the very thing he hated, and Kurt would try to stop him.

However, if the men needed to be punished for their evils, they got what they got what they deserved. Considering what Logan witnessed, justified would be pretty accurate. Kurt then uses a wolf allegory, asking if a wolf is evil for culling the sickness out of a heard. Said allegory can be interpreted as wolves not being evil for plucking off the weakest link. Or in the case of Logan, how killing the sicknesses (evils) of the world he is not evil for doing so. Probably a little bit of both.

After having time to think it over, Logan states how he’s not an animal, to which Kurt affirms that he isn’t. Because while Kurt’s allegory was metaphorical, one of Logan’s struggles is being seen as an animal. Something he has issue with in the past. Kurt knows this and has never once seen Logan as an animal (confirmed by Logan at Kurt’s funeral).

This shows how understanding, in this case Kurt, can be. Having an understanding of people is something worth having. Especially in friendships. Even if agreement isn’t always in sight, understanding and respecting friends is something worth knowing. And while there are lines, it never hurts to better understand another person.

The Big Dare (Classic X-Men #4, 1986)

One notable way that Logan accepts Kurt’s humanity comes in the form of The Big Dare. While he would later go on to say that Kurt is the closest thing to a saint there is, it’s this issue that cements their friendship while also trying to help Kurt get more comfortable walking around as his true self. Blue fur, tail, and all.

So Logan dares Kurt to walk around a town they were in without his image inducer. Note that he did not inherit Mystique’s shapeshifting, so he uses an image inducer to blend in. Logan wasn’t being malicious in doing so. He is well aware of how people treated Kurt in his past and doesn’t berate Kurt for hiding because of it. Logan just wants Kurt to be confident in his own skin, and to do so, needs to get comfortable being around people without hiding his appearance. Which is also gets brought up in the previously cited Wolverine issue.

Kurt agrees, and is surprised when most people seem unbothered by his appearance. Compared to the mob who attacked him, most people were either unfazed or curious about Kurt’s appearance, not malicious in either case. The only exception was with a gentleman who, upon realizing Kurt wasn’t wearing a costume, was going to attack Kurt. Logan retaliates by tackling the guy and going on the offensive, to the point Kurt has to separate the two.

Even though there was a bump in the trial, Kurt appreciated what Logan did for him and Logan replies with, ‘what are friends for?’ So not only does this issue confirm their friendship, but shows how having Kurt walk around as himself helped Kurt gain some confidence with it back.

Logan does this to help Kurt accept the part of himself he’s had to hide. He questions how Kurt expects to be accepted when even he won’t accept himself. There are things in life and relationships that will have to be accepted. Why that’s important in a friendship is because, whether it be a boundary, a limit, or what have you , being able to accept who you are is important. And sometimes it’s a friend that can helps you see it.

Death

“When you awaken from this earthly slumber, my friend, look for me. I will be there waiting for you.” -Nightcrawler (House of X #4)

Both characters have died. Both have been revived. The reason I bring up death in regards to their friend is how they approached the others’ deaths. It was never brushed aside, even with how meaningless death can be in comics at time, they grieved, and they never forgot how impactful they were.

Now Logan has died a few more times than Kurt has, with the whole soul shenanigans that rendered Kurt nigh-immortal. But that’s not to say Kurt never grieved over the loss of Logan. While I may not have read every Logan death, one that sticks out as far as Kurt grieving is in Nightcrawler #7 (2014). This series picks up after Kurt’s revival at the beginning of 2013’s Amazing X-Men.

About half way through this short lived series (issue #7 from what I recall), readers get to see Kurt processing the death of Kurt. And though we do not get to see Kurt shedding any tears, we do get to see how he processes the loss via an internal conversation. In a similar way to Logan, he wonders what he could have done differently to prevent his death, but with the added acceptance/hindsight to know that there was nothing he could do.

Using Jean as a comparison, readers get to see how Logan’s death hurt him. He’s a good friend to Jean, and did miss and grieve for her, but the fact that he admits that losing Logan in the present, hurt so much more. That alone, goes to show how much he cares about Logan. And though expressed more than shown, it doesn’t need to paint a picture to know how good of friends they are. The last few decades already helped establish it. Though we would get little things here and there that references parts of their friendship. Like when he gives Old Man Logan a framed picture of himself, much like Logan had decades prior.

And then there’s Logan. When Kurt died while protecting Hope Summers, loss only begins to describe how much Kurt’s death effected him. He nearly attacked a student, thinking they were going to take stuff from his room when they were only going to leave a candle. He regrets not killing more people, feeling like if he had Kurt would be alive. He bitterly hopes that his sacrifice was worth it.

But most of all, the connection they made is significant to Logan. Not many people have been close to Logan, whether it be out of fear of him or Logan generally being a loner. Logan has a hard time making connections with people, so when he loses one of the few people he has, it only makes sense that he’d be broken up about it.

Emotions, Mood, and Reading the Other

It saddens me to know that I share genetics with a man whose heart is so black that he sees no other options. Sees no possibility for either love or compassion.” Kurt Wagner Uncanny X-Men #434 The Draco Part 6

While showing emotion between friends is always a good thing, how the characters express them is one thing. And while they might not always express their emotions to each other, they know them well enough to recognize it.

Logan is typically known for exhibiting one of three kinds of expressions. Hardened realist, gruff loner, and angry. He’s not one for expressing emotions a lot. Love seen in a few instances, and sadness even less. The usual picture viewers get to see is a stoic or angry character hardened by his life experiences.

That’s not to say that Logan is without any “softer” emotions. After all, he has had a few loves, almost marrying Mariko at one point. I can also think of emotions surrounding Kurt’s death that he exhibited. Guilt that he couldn’t prevent it. Sadness and anger as he tried to cope. The one tear shed when he was reunited with Kurt before they fought Azazel and Kurt was revived. He can be a little more open with Kurt, be it with his philosophy, thoughts or feelings.

Kurt, meanwhile, isn’t as closed off emotionally. He will get angry, flirty, and sad. And if there was one way he reacts that’s notable is his self-consciousness as a result of trauma. Usually, he tries to appear happy and friendly, but does experience negative emotions and dower moments.

So when he appears withdrawn and depressed, like after he was resurrected in Amazing X-Men or when he was unusually quiet in Nation X #1, it’s something Logan is able to pick up on. Not only that, but try to get to the bottom of what’s eating away at him.

They are able to read each other better than others might. Both know the other’s quirks and demeanor well enough to know when something is wrong. They also aren’t afraid to be open with each other.

It’s also worth noting that they aren’t afraid of things like contact. While Kurt is certainly much more approach able, scenes like the one pictured here show that they aren’t afraid to show how much they care. Or at the very least the writer’s and artists, aren’t afraid to express how deep of a friendship they have.

While not trying to overgeneralize male friendships as a whole, in media, I don’t think it’s wrong to say that it isn’t common for two guy friends to express certain emotions or ‘hug it out’. Unless it was played for comedic effect or the media allows it because of the content (like a drama or something). Of course, entertainment has evolved in a lot of ways, but typically, it’s more likely that viewers will see girl friends hugging than guys (with other gestures like fist bumps or something as an alternative).

So little moments like Wolverine and Nightcrawler hugging in purgatory upon being reunited, while not groundbreaking, are moments that can be appreciated.

Conclusion: Why is Wolverine and Nightcrawler’s Friendship so Important?

“Dump that gizmo an’ walk right out Harry’s door an’ down main street– as you really are!” Logan Classic X-Men #4 The Big Dare 1986 

I conclude with a discussion on why the friendship between Wolverine and Nightcrawler is important. I’ve gone over a few reasons why/how it works, so I will only recap those briefly, while also adding a few more comments.

In summary, the fact that these two characters are complete opposites, can understand their quirks, and do have genuine emotional reactions with each other, especially when the other dies, Logan and Kurt make for an iconic duo. They might not always agree or share the same beliefs, but they respect/understand them.

With that said allow me to close out with one last question…

What Makes Their Friendship so Important?

One thing that has been consistent about X-Men is it’s message of acceptance. Being created during the Civil Right’s Movement, it’s easy to see why it would be. And when compared to DC, some people may consider Marvel a bit more relatable (though that’s not to say DC doesn’t have relatability whatsoever). Of course, given the nature of comics and superheroes as a genre, they aren’t as relatable on a technical level, but readers may be able to relate to Peter Parker as an everyday Joey was compared to billionaire playboy Bruce Wayne.

Circling back to X-Men, it’s safe to say that acceptance is it’s biggest symbol/theme. Not only that, but it is a theme that is timeless and will always be relatable. That’s something that make X-Men as timeless as it is. Because beneath the adamantium claws, teleporting, and psionic prowess, are characters who fight for acceptance and equality.

Acceptance is also a big factor in Wolverine and Kurt’s friendship. Both characters have the hardest time being accepted by others. A big factor of that comes down to perception and how people could fear someone as violent and cold as Logan or as demonic looking as Kurt. Both deal with their fair share of grief and panic from the masses.

Yet, somehow, when these two are put on a team, they almost instantly connect. Logan quickly comes up with a nickname for Kurt (Elf) and Kurt isn’t immediately discourage by Logan’s gruff nature. Both characters are considered monsters by their peers, the average person, yet somehow found each other and connected. Kurt was the first to learn Logan’s name, and Logan the first to push Kurt towards self-acceptance.

The weight of the world’s perceived disdain with them creates a sense of loneliness. Yet, that distance created a relatability and spark between them. Both characters needed someone who could understand them. Someone who wasn’t afraid of them. Someone who cared about who they were as people. And that is exactly what they got when they met each other.

That’s what gives this friendship such an impact. When the rest of the world was against them, they found each other, saw the best in each other, and proved that neither were as monstrous as people made them out to be. They saw them as the people they were and accepted each other for who they were.

Batman/Fortnite: Zero Point Review

This was a book suggested to me by a friend. While looking for a book to review, this was one that sounded pretty interesting. Admittedly, I am not the most savvy or invested in Fortnite. It is a game that I never really got acquainted with, nor had much interest in. However, Batman/Fortnite: Zero Point is certainly a curious idea.

This may be a smaller review, given that this is only a six issue event, but I found a few things to discuss. Expect some minor spoilers, but not many.

Review

I certainly wouldn’t expect his kind of a crossover. While Batman certainly could fit into Fortnite as a skin or what have you makes sense, I wouldn’t think that the two franchises would work as a comic crossover. Sure, DC certainly has a lot of weird universes and crossovers (for instance Doomsday Clock, Flashpoint, and Dark Metal), but if you asked me if I thought they’d actually do a Batman/Fortnite crossover, I wouldn’t expect it.

That said, it is an interesting and pretty fun read. I may not be much of a Fortnite player, but I thought it was neat to see how they approached it: a wormhole opening up and Batman, Catwoman, Harley Quinn, and Deathstroke all found themselves pulled into the world of Fortnite. No one remembers who they are or knows where they are. Every twenty two minutes the time is reset and everything they did prior to it is wiped from their memories.

As Batman tries to figure out what’s going on, and encountering Catwoman (again), he tries to get familiar with the world. And once they figure out the first puzzle, they find themselves trying to figure out the next.

With it being only six issues, I feel like it had enough time to do what it wanted to. It didn’t feel too rushed or like it needed longer. I don’t think it would suffer if it was an issue or two longer, but keeping it at six worked.

Overall, I would give this a 7.5 out of 10. It had some great art and a fun concept that I feel people may be able to enjoy. And while maybe not something on the scale of The Killing Joke or Death in the Family, it certainly was an amusing look into a crossover with two well known franchises.